Archive for May 17, 2021

Escapism

Posted in FILM, MUSIC with tags , , , , , , , , , on May 17, 2021 by dcairns

It’s true that Netflix has a lousy classic film selection, except that there are some oddities like EROTIKON and some commedia al’Italia you would expect to find, which we should be thankful for.

But I clicked on THE GREAT ESCAPE because I was in the mood for the smooth and unchallenging. I intended just to watch a little bit, but it’s been ages since I ran it and of course I ended up watching the whole thing. It’s kind of perfect. Of course, it shows war as being schoolboy fun, but escaping from a German POW camp — unlike suffering in a Japanese one — probably had aspects of being at school. Plotting to defeat the system was likely to be fun, with an undercurrent of terror.

We had to pause it at what felt like twenty minutes in, but turned out to be forty-nine minutes in. That’s how smoothly and efficiently and entertainingly it goes.

Elmer Bernstein’s theme is great, but all his scoring is great — when he’s not doing the march or the snare-drum suspense, he does oddly beautiful and tender things for Steve McQueen and Angus Lennie, or James Garner and Donald Pleasence. Harp arpeggios — well, we know he was a Bernard Herrmann fan. Did John Sturges temp-track these bits with tracks from Herrmann’s score for his own UNDERWATER? Probably not. (NB DEFINITELY not: see comments.) The only thing I’d question is the sudden happy music introducing fresh scenes right after tragic ones — but I bet they thought about that very seriously, and decided they couldn’t smooth things over, they had to make hard transitions to let everything play out with its full value.

Lots of Scots in this — four of them, to be precise, meaning that you rarely get a scene without some Scottish presence. James Donald and David McCallum have suppressed it, of course, but Angus Lennie and Gordon Jackson let it all hang out, and do a song and dance about it. Weird that Lennie, who’s magnificent, and John Leyton, who’s blander but very sympathetic, didn’t capitalize on this to find fame and fortune.

I like to think Leyton and McCallum meet up for regular cast reunions, the only ones left.