Nero is an angler in the lake of darkness

Elio Petri’s A QUIET PLACE IN THE COUNTRY is quite… a thing. I feel like, as it’s a ghost story, I ought to deduct points for it not really being scary, but it’s incredible IMPRESSIVE. Especially Ennio Morricone’s wildly experimental, improvised score, which is cacophonous and pandemonic and absolutely nuts. Like the sound of an orchestra smashed together in a tombola, going round and round, madly playing as they fall over one another. It’s a collaboration with “the composers performers of gruppo di improvvisazione NUOVA CONSONANZA.” A unique event. Maybe there’s just not enough actual quiet for the supernatural angle to chill us.

Does it matter, though, when the film is one long setpiece from start to finish, with politics and a sense of humour and action painting and all manner of mod thrills? And it takes you somewhere quite unexpected.

I feel like Petri saw BLOW UP and thought he’d do something similar but with a lot of opposites — a rural setting instead of an urban one, a jerk of an action painter (Franco Nero) instead of a jerk of a photographer, a ghost story instead of a murder mystery. But still with Vanessa Redgrave.

2 Responses to “Nero is an angler in the lake of darkness”

  1. Halloo! Halloo!

  2. For some reason all my title ideas for this were Shakespeare quotes or paraphrases (And Lose the Name of Action Painting), and then I remembered Shakespeare actually wrote about Franco Nero.

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