Archive for November 16, 2019

The Situ

Posted in FILM with tags , , , , , , , , , on November 16, 2019 by dcairns

In bed to save on heating because it’s COLD. Momo will probably snuggle up later when he’s finished shouting. Fiona’s going out to meet a friend.

I’m going to listen to the rest of the Jovanovich testimony which is HOT STUFF. If you’re not following this, you should be — exciting viewing. It occurs to me that the Republican pols, those not entirely dead to all moral feeling, are in HELL and have been all through this presidency, having to make excuses for this guy who represents the opposite of the “values” they claim to espouse. Good. Their troubles may be about to end, just not in the way they would choose. But I make no predictions. I live by the tenet, “Things can always get worse.”

Still, life in the Shadowplayhouse is fairly pleasant, we went to see the film billed as THE IRISHMAN which, when you get in to see it, turns out to be called I HEARD YOU PAINT HOUSES. First switcheroo of that sort I’ve seen since Polanski’s THE GHOST (according to UK posters) had a fancy end creds sequence in which it announced its title as THE GHOST WRITER.

And I picked up this month’s Sight & Sound, which asides from boasting articles from pals Hannah McGill and Pamela Hutchinson, features two favourable mentions of yours truly on the same page: my video essay for THE BELLS OF ST MARY’S is, apparently, “highly engaging” and part of a “divine set of extras” while the one I did with Anne Billson for THE FATE OF LEE KHAN is “effervescently enthusiastic”. Stephen C. Horne edited both pieces.

I’ll say some nice things about the Scorsese next week. It is not to be missed.