Exhumed ex-humans

The credits of CAVE OF THE LIVING DEAD aka LA NUIT DES VAMPIRES aka DER FLUCH DER GRUNEN AUGEN aka BLUTRAUSCH DER VAMPIRE  (1964/5) feature the guy with the greatest Halloween nickname ever, as his real name: Stane Sever.

It’s a West German-Yugoslavian co-production. Alone amid the Eastern block countries, protected by Tito, Yugoslavia made some fun cheesy horror movies in the sixties. Michael Reeves made his first film there, THE SHE-BEAST. This one, however, is directed by Akos V. Ratony, aka Akos Rathonyi, who was nearing the end of his thirty-year career.

Intrepid, boozy, sex-mad detective Adrian Hoven (later a PRODUCER of Euro-horrors) is sent to investigate a series of mystery deaths near a “famous grotto,” each fatality accompanied by a power cut. A story David Lynch might enjoy.

His car conks out just as he arrives at the inn — electromagnetic pulse? or something more sinister, but stupider? Amusingly, when power is restored the next day, the radio is still playing the same tune. That’s how it works, apparently: the radio will pick up where it left off, but maybe play slightly faster until it catches up with the current live broadcast. Either that or Radio Belgrade only has one record to play.

We meet a tavern keeper, a cavern creeper, a wise woman, an unwise woman, a professor who can make his big black candles flame up by breathing on them, like WC Fields, and a deaf mute who’s “harmless, really,” but keeps attacking people — plus he plays the accordion. Not that I’m holding that against him, but it seems inconsistent with his deafness. I suppose he can enjoy the vibrations though. Maybe that’s also why he keeps attacking people. He enjoys the vibrations from his fists thudding into them. While it was, in a way, refreshing to find a hard-of-hearing character portrayed in this unusual way, I felt the other characters were wrong to constantly refer to him as deaf. The thing about this guy isn’t that he’s deaf, or mute, or maybe slow-witted or whatever. The thing about him is that he’s a surly, violent arsehole. The dialogue should not be, “Don’t mind him, he’s deaf,” but rather “Don’t mind him, he’s a violent, surly arsehole. Or maybe do mind him, and give him the occasional punch in the breadbasket.”

There’s also a black manservant working at the local castle (John Kitzmiller from DR. NO). While he’s portrayed as superstitious re vampires, this is perhaps forgivable as he’s RIGHT. More interesting is the fact that the villagers are superstitious of HIM, because of his race, and they’re NOT right. Despite working for the mad scientist vampire troglodyte, he’s thoroughly decent.

I became convinced that at least one, maybe two of the dubbed voices were the same as one of the detectives in Orson Welles’ THE TRIAL. Well, those scenes were seemingly shot in Yugoslavia… but would they have been dubbed there? It seemed unlikely. But I couldn’t shake it. Maybe it was the cavernous echo, and that constipated quality dubbing actors all seem to have because they’re trying to voice three or four different characters. (Welles did a lot of the voices in THE TRIAL himself, and I’d always assumed he was doing that detective. With accompanying strain in voice.)

Really, really shoddy script — we never find out why there are power failures, though we do helpfully cut to the power station at the end where they’re puzzled, too. But old Akos seems to be having fun with a few spooky shots and clever transitions, and his native land has coughed up some good locations.

Am reminded that John Landis conceived AN AMERICAN WEREWOLF OF LONDON after witness a body being buried at a crossroads at midnight on location in Yugoslavia while he was working on KELLY’S HEROES. He later shifted the location to Yorkshire, because they both begin with a Y, I guess.

CAVE OF THE LIVING DEAD stars Professor Henri Vollmer; Jo le Suedois; Dr. Mabuse; Quarrel; and Stane Sever.

6 Responses to “Exhumed ex-humans”

  1. […] As if that weren’t enough, I have a cheesy Italian Gothic for you, “presented” by Richard Gordon, British producer (TOWER OF TERROR, HORROR HOSPITAL, FIEND WITHOUT A FACE and other alliterative masterworks) who also gave us Monday’s dubbed fangfest. […]

  2. Interesting point about the portrayal of the black character in this movie. I know that spaghetti Westerns were a predominantly left – wing movement (pro – Union, no Southern nostlagia, etc,) , and even the comic ones like My Name is Nobody take an explicitly anti – slavery stance, and there’s a couple with Woody Strode, but are there any similar examples in the Italian horror genre?

  3. Films like Mata (1989) maybe come closer to the Mondo and cannibal genres in their attitudes to other races and cultures, which basically just views everything as grist to the grindhouse/exploitation mill. I, too, would be interested in any other Euro-horrors with a more enlightened attitude.

  4. Actually, now that you mention it, I think I’ve heard the Catherine Miles Story (marketed as Cannibal Holocaust 2) actually has completely sympathetic Amazonian characters

  5. There’s usually a tendency to make the white characters in those films pretty obnoxious and deserving of their horrid fate, yes…

  6. i think that one goes one step further and actually makes the natives the good guys

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