Archive for October 5, 2019

Armed Farces

Posted in FILM with tags , , , , , , on October 5, 2019 by dcairns

And another thing —

Though a saucy bedroom farce might seem like a strange artistic response to the Allied invasion of Sicily in WWII, I do think Blake Edwards’ WHAT DID YOU DO IN THE WAR, DADDY? can be explained, in a couple of ways.

Firstly, since the end of the actual war, movies on military themes had been getting lighter in tone. THE GREAT ESCAPE plays like a romp, with tragic elements for added spice. And the service comedy, dealing with the non-combat-related activities of enlisted men, was a long-standing thing. Combine the two and you have something like WDYDITWD, as it is known for short.

Also, the Mirisch Corporation. A comfortable home for Blake Edwards and Billy Wilder, it otherwise specialised in large-scale war movies of the 633 SQUADRON variety. So they knew where to get the big toys, the tanks and planes. The rather excessive scale of Edwards’ production, apparent from the opening montage, is explicable only in terms of Edwards’ moneymaking success at a company familiar with military subjects.

After that, we get into the realms of allegory. The characters of the film represent the different neational factions if the war. Dick Shawn, though playing an American commander, stands for Britain: prissy and rigid, but devoted and dependable. James Coburn is the US: fearless, flexible and resourceful, but endeavoring to stay out of the fray as long as possible. Sergio Fantoni, though Italian, stands for all the surrender-monkey nations of Europe (we’re dealing in offensive stereotypes, here, you understand). The Germans, shockingly, represent the Germans (also the Japanese, I suppose, but only loosely: Edwards had already made his definitive statement on that nation via Mickey Rooney in BREAKFAST AT TIFFANY’S).

So now it all makes sense, right?

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