Archive for June 26, 2019

The Silver-Tongued Chevalier

Posted in FILM, literature, MUSIC with tags , , , , on June 26, 2019 by dcairns

Oh yes, and GIGI! How could I have forgotten seeing that yesterday? In a vintage Metrocolor print, no less. In fact, vintage prints of musicals should carry a health warning: the smallest splice can be a major irritation if it happens during a number. But this one was relatively free of such issues, and the colo(u)r was radiant.

How can something be simultaneously problematic and perfect? The sense of ickiness around the theme is mostly skirted artfully. Listening to any of the lyrics other than the title of “Thank Heaven For Little Girls” makes it clear that it’s NOT an ode to paedophilia. But there are plenty of other bits to worry about if you’re so inclined. And John Bailey of the Academy reassuring as that Leslie Caron was 26 doesn’t quite cut it — she’s playing a character who’s 14 in the book, and the movie is careful not to assign her a specific age…

But the Freed Unit has it covered. It’s great the way Chevalier, our guide through the story, is basically wrong about everything and his “well-meaning” advice is nearly disastrous. It’s helpful that Jourdan is so charming and looks younger than he is. I’m not sure if Leslie Caron’s extreme sensuality helps or hinders in this context, but I enjoyed it.

And my God, the songs, and Minnelli’s visual perfectionism! Quite hard to write about things that are perfect. I’ll have to try when I have more time.

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Monkey with a Movie Camera

Posted in FILM with tags , , , , , , , , , , , , , on June 26, 2019 by dcairns

I’m not used to days that have CLIMAXES — Buster Keaton’s THE CAMERAMAN in the Piazza Maggiore with a full orchestral accompaniment was certainly one.

Mind you, the day began with OVER THE HILL, a simply brilliant Henry King drama from 1931 which showcases Fox’s mobile camera style and James Dunn’s performing. It’s a bit like MAKE WAY FOR TOMORROW only with the worst son receiving a punitive ass-kicking at the end.

Dunn turned up again in HELLO, SISTER! a weird Fox romance, begun by Von Stroheim (Zasu Pitts co-stars) but finished by Edwin Burke and maybe Alan Crosland, Raoul Walsh and Alfred “I’ll finish it” Werker. The tonal shifts, which could induce whiplash in a less hardy reviewer, may be the result of surviving Stroheim footage. Romcom, slapstick, rape and an exploding tenement — half the plot and cast seem to be recycled from Borzage’s BAD GIRL. Enjoyed the mess thoroughly.

SURRENDER! was more coherent but duller. William K. Howard’s long tracking shots are among the best Fox ever had, but this was a boring story with a snoozy cast. Warner Baxter, Leila Hyams. Ralph Bellamy is somewhat amusing as a disfigured war veteran, half his face concealed beneath a black mask.

I’d been missing the Eduardo de Filippo season so was glad to catch FILUMENA MARTURANO, the 1951 original of MARRIAGE – ITALIAN STYLE. Slightly less funny than the celebrated remake, but even more emotional, thanks to Filippo and his co-star Titina de Filippo. Talented family. Excuse me, I think I have something in my eye.