Archive for May 31, 2019

Two Enormous, Highly-Paid Heads

Posted in FILM with tags , , , , , , , , on May 31, 2019 by dcairns

Hadn’t seen PARIS… WHEN IT SIZZLES before — a student who was an Audrey Hepburn obsessive said she didn’t like it, but I should’ve known better than to trust her. It’s a mixed bag but pretty interesting. The film it — very loosely — remakes — Julien Duvivier’s LA FETE A HENRIETTE — doesn’t quite work, arguably, but the narrative tricks are fun. Same here, but this one’s more interesting to me because of the confessional side. Screenwriter George Axelrod was an alcoholic and he seems to be grappling with that, and some deep self-loathing, through the medium of a chic, charming, vulgar, silly romantic comedy.

It is in fact hard to imagine Audrey being in a film as glossily lecherous as this, which may be a sound and understandable reason for my former student having disliked it.

William Holden plays the boozy screenwriter and Audrey his muse, so there are echoes of SUNSET BLVD — what if Joe Gillis made it to the top, got his pool, and STILL wasn’t happy? Turned into THE LOST WEEKEND’s Don Birnam, in fact? With enough moolah to keep the booze flowing forever…

Add in the tortured Richard Quine as director, the alcoholic Holden as star, Audrey at her skinniest, and you have a surprisingly sour aftertaste, but this doesn’t ruin the pleasure for me, though it certainly complicates it.

When Holden burns the script he’s been working on all through the movie, because now that he’s found love he’s going to quit the sauce and write a better one, it’s joyous, exhilarating, satisfying — and supremely unconvincing. And I think that’s intentional on Axelrod’s part. The old Hollywood switch on a switch — give the public what they want but wink at the intelligentsia — we know better than this, don’t we?

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