Archive for May 15, 2019

Dowling Dahlia Dalliance

Posted in FILM with tags , , , , , , on May 15, 2019 by dcairns

THE BLUE DAHLIA is my least favourite of the Ladd/Lake movies, discounting STAR SPANGLED RHYTHM for the moment. I find Doris Dowling’s performance overwrought (and her character conceived along misogynistic lines), the movie spends way too long with the audience (me and Fiona in this case) smugly convinced they know who the killer is, and when this turns out to be a trick the film perks up considerably, but a lot of time has passed in a not very interesting way. And all the stuff actually concerning the titular joint still seems like a drag to me.

Still, on your noir checklist you can put a really big tick next to POST-WAR DISILLUSION.

Delayed appearance by Lake, something she seemed to do a lot: her entry into SULLIVAN’S TRAVELS seems crazily belated, but totally works. Anyway, once she’s here her purpose is clear: to restore Ladd’s faith in women. And Chandler shrewdly has a scene where he doubts her, and that really helps animate his arc.

The violence is good and grim.

The wrapping-up is good — Raymond Chandler is sole screenwriter and he’s had plenty of practice making drama out of what seems, in principle, like exposition. So when Ladd clears everything up, it’s immensely satisfying.

Directed by George Marshall, who seems to be everywhere these days — as a connection to his Laurel & Hardy days, he finds a small role for Mae Busch. Actually, maybe this is part of the problem with Dowling’s character: as a woman who’s lost a child and is now committing slomo suicide with drink and bad company, she ought to get SOME sympathy, but she’s portrayed as a simple monster: as just another Mrs. Hardy.

THE BLUE DAHLIA stars Shane: the Girl; ‘Babe’ Ruth; Louis B. Mayer; Bianca; Mr. Dietrichson; Ward Cleaver; Heinrich Himmler; Reinhardt Heydrich; Rachmaninoff; Mrs. Hardy; and Bim.

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