Archive for October 19, 2018

One Ferpect Shot

Posted in FILM with tags , , on October 19, 2018 by dcairns

I was describing the opening of ERIN BROCKOVICH to students, don’t ask me why, and then decided to look online to see if we could watch it, and discovered I’d remembered it all wrong.

The key thing is that Erin (Julia Roberts) goes for a job and doesn’t get it. I got that bit right. But I’d described it as being all one shot, in which we never see the prospective employer she’s auditioning to. In fact, look —

These are the basic shots, and the cleverest things are that

  1. They begin on a big closeup of JR without context, right in the middle of the conversation.
  2. The first shot of the boss is wider, but this works fine: I didn’t perceive it as a clunky mismatch
  3. When we go wider on JR, we go tighter on the boss, which also works fine.

The boss looks a bit like Soderbergh.

BUT — I do feel like my memory of the scene is better than the scene. Holding on Roberts in a single, unbroken close-up would get the film off to a bolder start and really boost the idea that this is a star vehicle built around the Roberts Charisma, which it is.

It would also fit nicely with the upcoming bit, which is really cool and more closely resembles my memory of it. Roberts finishes a cigarette outside, having failed to land the job  — the movie’s most cinematic ideas all involve ellipsis, and the ending will call-back to this transition by jumping over the actual trial scene that’s nominally the story’s climax.

Then she goes to her car and finds she’s got a parking ticket, then she breaks a nail opening the door, and the trailer VO man clears his throat preparatory to growling “Erin Brockovich is having a REALLY bad day,” — and we start to feel this movie is going to be really by-the-numbers, which in some ways it is. Then she gets in, drives off into the distance —

And SMASH!

A black car side-swipes Roberts’ car, sending it spinning.

The clever bit is that this DOES look like a single shot, but obviously Soderbergh wasn’t likely to have another car crash into Roberts’ vehicle while she’s in it. We have to go back and look at the moment where her car passes the camera quite close — very simple to stitch two shots together as the car is wiping frame, with a stunt driver in a big wig behind the wheel in the second shot. So that’s quite clever, isn’t it?

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