Walk This Way

 

While showing THE CONFORMIST to students — a depleted bunch just now, as they’re all off making films, the swine — I suddenly realized that the above sequence, with its creepy fascist flunkies leading Trintignant to his Important Appointment — was a Fellini swipe.

But it’s not exact. Bertolucci’s shots are a touch simpler than Fellini’s, which don’t lag as far behind, but often veer off into fresh compositional adventures.

It’s a great, nightmarish angle. Being led through an institution by a flunky who nevertheless outranks you, and leads you to the Big Important Fellow. It has the quality of a dream — the moving POV offers the illusion of self-motivation but, strapped to our cinema seats with our eyelids clamped open, we have no choice but to follow the leader.

Then I flashed on the “insight” that Jonathan Demme MUST have used this in SILENCE OF THE LAMBS, when Clarice is first led to meet Lector. Wrong again — Demme carries off a whole range of interesting blocking, reminiscent of 8 1/2 but not overtly referencing it. Did he miss a trick? I’m not sure — I think the shot would have worked like gangbusters, but it’s hard to argue that the sequence, a highlight of that problematic yet seminal work, is less than effective.

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2 Responses to “Walk This Way”

  1. What’s important in those scenes for “the Conformist” and “8 1/2” is the look on the face of those characters leading Trintignant / Mastroianni / Us. Casually masterful.

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