When Saturday Comes

On Saturday we’ll be in Bo’ness at the Hippodrome Silent Film Festival. Time and budgetary constraints mean I’m not seeing any of the shows before then, since I’d have to travel through by train and then bus and that can get expensive in addition to the (reasonably-priced) cost of the films themselves. But to compensate for that, on Saturday we aim to see EVERYTHING.

10.30 a.m. SAVING SISTER SUSIE with Dorothy Devore, and THE KID REPORTER with Baby Peggy. Neil Brand at the piano.

Lunch.

13.30 FEN DOU (STRIVING). This one’s a gamble because I haven’t been blown away by the little Chinese silent cinema I’ve seen (not even the acclaimed THE GODDESS), but when else will I get a chance to see it? Plus the music, by Stephen Horne & Frank Bockus, is sure to be excellent. The movie itself could be a masterpiece, and is almost certain to be better than hanging around on a cold Saturday in Bo’ness until —

16.30 DER SCHATZ (THE CASTLE). Music by Alois Kott. Pabst’s first feature and one of his most expressionistic films. Should be awesome on the Hippodrome’s big screen.

18.30 Dinner at the Bo’ness Railway Station (home of vintage steam trains that appear in nearly every British period movie) and a screening of THE GREAT K&A TRAIN ROBBERY with Tom Mix on the station platform.

20.00 Double-bill of THE PENALTY with Lon Chaney and Benjamin Christensen’s SEVEN FOOTPRINTS TO SATAN (pictured) with Thelma Todd, for which I’ve written the programme notes. Graeme Stephen & Pete Harvey will be accompanying the former, with Jane Gardner & Roddy Long (THE NORTHLEACH HORROR) scoring the latter.

And then, hopefully, we get a lift home, or at least as far as the Linlithgow train station…

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