Mini-Thems

I had fond memories of Laurel & Hardy’s BRATS, but I also remembered Leslie Halliwell saying it was disappointing, arguing that because L&H are so much like big kids, seeing them as little kids removes the amusement of inappropriateness. But Leslie Halliwell was dependably wrong on every point of opinion, criticism and analysis that ever came his way, just as he was dependably right on facts. BRATS, after all, gives us the familiar life-sized Stan and Ollie, in addition to the kiddie versions, so you’re not being deprived of anything. In fact, the irony of big men with childish minds is pointed up even more, since we can see how the boys have not progressed from their infantile selves.

Actually, we don’t quite get the familiar Ollie, because he’s had to shave his moustache to play his diminutive self, Ollie Jr. So adult Ollie is wearing a fake ‘tache that looks like it was drawn on with magic marker. Its sharp definition makes it look more than usually Hitlerian, or like the improbably square blot on the window in Father Ted.

Apart from a surprising animated mouse, there are only a couple of special effects shots, but these combine with the shot-reverse-shot schema in which both sets of the boys cut together using the Famous Kuleshov Effect to convince us they’re in the same space, looking at each other, when in fact the child versions are performing on impressively scaled-up sets. The effect is to make the kiddie duo uncannily small, TOO small. Because they have adult proportions, they don’t seem quite like real children, more like the victims of Dr Cyclops.

Because of the immature (or MORE immature) variant boys on display, this one’s even more violent than usual, with little Stan consistently getting the best of it. Most wince-inducing moment is Ollie getting the metal rod of a door-knob in the eye. Even more distressing to see this happen to a “child”. Ollie checks, gingerly, to see if his eye is still there.

Little Stan also delivers a wholly deliberate eye-poke, and right at the start of the film Big Ollie accidentally pokes his OWN eye. Is this an Oedipal theme or something?

Ollie’s self-inflicted injury reminds me of a Blake Edwards quote. Attempting to explain his sometimes grisly sense of humour (who else would attempt to raise laughs from a man stabbing himself in the side with a letter-opener?), Edwards described the funniest thing he ever saw: he was sitting in a restaurant when Curt Jurgens walked in, saw him, and waved — “Hiya, Blake!” and with the same movement, stuck his thumb squarely in his eye.

It’s funny because it’s Curt Jurgens.

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2 Responses to “Mini-Thems”

  1. bensondonald Says:

    You have to follow up with “Twice Two”, which is disturbing in a different way: They play each other’s wives.

    Speaking of Hal Roach, have you seen the new Charley Chase set? Two discs of his first sound shorts, many with Thelma Todd and / or Charley singing.

  2. Twice Two doesn’t have that much of a reputation, but I don’t remember being disappointed by it…

    I don’t have the Chase set yet, but have seen and enjoyed several of the individual films. Though I do prefer his silents.

    This week’s edition of The Forgotten features a rare Hal Roach sighting…

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