Archive for December 15, 2017

Loy Above

Posted in FILM with tags , , , , , , on December 15, 2017 by dcairns

WINGS IN THE DARK — “Terrible title!” pronounced Fiona — is a piece of junk from Cary Grant’s Paramount years, before he found himself, but it has Myrna Loy, and she’s in no doubt as to her location, apart from at the film’s climax when she’s lost in the fog in her plane — yes, she’s an aviatrix, still a hot topic at the time. Which means she gets to wear darling outfits. Grant, an inventor and fellow aviator blinded by a gas explosion, has to fly up and rescue her in his science plane.

It’s a piece of junk but it’s hugely satisfying. Grant strains too hard, and has Hobart Kavanaugh as “Mac,” a Scottish sidekick, with the worst accent on record: he doesn’t actually say “The engines canna take much more of this,” but seems constantly on the verge of it. Loy’s face is in constant, adorable motion, puckering up in little self-critical moues, if “moues” is the word I want. Do that in a 1930s Buck Rogers collar and you take the cake for cuteness.

Fiona noted that Myrna finds time to apply lipstick — and remove it — between shots on her epic Moscow-to-New York record-beating flight. The natural look is for realism, to help Myrna look tired when she’s been flying for forty-eight hours. The lipstick appears as soon as she establishes radio contact with Cary Grant. He has that effect on a lot of people.

The film is lightly feminist: Loy bankrolls Grant’s pseudo-radar invention with her own sky-writing and barnstorming career, and even when he rescues her at the end, she turns around and rescues HIM right back. Six different people wrote this soap opera nonsense, James Flood directed it. A lot of Paramount’s lesser works aren’t as compelling — having bailed on the shapeless WEDDING PRESENT (1936, Grant again, this time with Joan Bennett), we found we had to finish this one, and were both glad and a little ashamed we did.

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