The Sunday Intertitle: Time And Relative Dimensions In Cow

First time I’ve seen racist language, as opposed to merely racist attitudes, in a Keystone comedy. The offending film is WANDERING WILLIES (1926), starring the Australian Billy Bevan and the Scot Andy Clyde as hoboes on the make. Through contrivances of plot too complicated and demented to go into fully, they’ve disguised themselves as a dead cow and find themselves about to be dismembered and fed to a lion at the zoo by an uncredited and unknown African-American performer.

Is it OK if I call him Mr. Halloran until we know better, or am I being racist now? I don’t mean to be.

I guess the filmmakers would have regarded the language as merely casual, rather than hateful. Same thing, really — casualness in what you call someone denotes lack of respect.

Lots of interesting stuff in the film, including one or two funny moments and Billy Gilbert, if we believe the IMDb, in three roles, not looking like himself in any of them.

I don’t think this is Billy Gilbert, do you? You know, Mr. Pettibone from HIS GIRL FRIDAY, the doctor from COUNTY HOSPITAL, Herring from THE GREAT DICTATOR…

Also the attempt to photograph actors inside a cow is amusing — it seems mighty spacious in there. A bovine TARDIS.


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