Archive for September 19, 2017

The Cleveland Blues

Posted in FILM, MUSIC with tags , , , , , , , , , , on September 19, 2017 by dcairns

I’m in Billy Wilder Land, for professional reasons (but also for pleasure).

In the case of THE FORTUNE COOKIE, that takes me to Cleveland.

Remarkable how this blackish comedy can looking so much like a bleak European art movie. Partly it’s the b&w coupled with widescreen which pushes thing further away/puts more space around them. But partly I think it’s Cleveland.I’ve never been there, but the place has kind of grey associations for me, based solely on Harvey Pekar’s comic strips, and partly from the scene in Jim Jarmusch’s STRANGER THAN PARADISE where the protags decamp to Ohio and find the city to be an ICY, HOWLING WHITE VOID. If I recall aright, the credits actually claim the film was shot partly on location there, but they might as well have overexposed a shot in a studio against an infinity curve while holding the mic next to a hair dryer.

So those are my mental images for Cleveland: Robert Crumb cross-hatching and howling white voids.I doubt if the place is that bad. I’d be happy to live in one of these houses, if there were a bus route nearby.As for football stadia… well, I know intellectually that people like sport, though I can’t quite see why, but does anyone consider the stadium an attractive thing in its own right? Wilder adds greatly to his film’s melancholy by staging the resolution on a deserted football field (or “green,” as I believe it’s called). With the cleaners looking on.é

Some critics at the time took the film as a sign that Wilder was getting soft…

I like the music — maybe Andrew Preview Andre Previn’s best film score? Walter Matthau’s theme sounds a bit like the later ODD COUPLE, but as if his character of Whiplash Willie Gingrich had sort of sidled up to that score and corrupted it by mere proximity.

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