Feature the World Forgot
Edited highlights of the cast list of CREATURES THE WORLD FORGOT, Hammer’s third caveman epic. Just skip over it lightly, it’s not that thrilling in itself.
Julie Ege – Nala
Brian O’Shaughnessy – Mak
Tony Bonner – Toomak
Robin John – Rool
Marcia Fox – The Mute Girl
Rosalie Crutchley – The Old Crone
Don Leonard – The Old Leader
Beverly Blake – The Young Lover
Sue Wilson – Noo
Ken Hare – The Fair Leader
Derek Ward – The Hunter
Fred Swart – The Marauder Leader
Frank Hayden – Zen
Leo Payne – The Old Tribal Artist
Tamsin Millard – Rock Woman in Fight
Christine Hudson – Rock Woman in Fight
Cheryl Stewardson – Rock Girl
Samantha Bates – Rock Girl
Debbie Aubrey-Smith – Rock Girl
Audrey Allen – Rock Mother
Vera P. Crosdale – Old Rock Woman
Mildred Johnston – Old Rock Woman
Lilian M. Nowag – Old Rock Woman
Mark Russell – Rock Man
Dick Swain – Rock Man
Mike Dickman – Rock Man
John Hollis – Masked Attacker
Hammer made ONE MILLION YEARS BC which had excellent Ray Harryhausen dinosaurs and attractive starlets in fur bikinis. Then they made WHEN DINOSAURS RULED THE EARTH which had excellent Jim Danforth dinosaurs and attractive starlets who took off their fur bikinis. Then they made CREATURES, which had no dinosaurs whatsoever and attractive starlets who hardly seemed to put their fur bikinis on at all.
The “stories” were never very great but they still managed to markedly decline across the informal tits-and-lizards trilogy, to the point where CREATURES THE WORLD FORGOT makes ONE MILLION YEARS BC look like frickin’ Crime and Punishment. Hammer producer (boss’s son) Michael Carreras gave himself the job of writing it, because he was in a position to do so. Even though nobody else would have hired him to write an eye chart. True, he wrote BC also, but that was a remake. Left to his own devices, without a previously constructed narrative, he begins this one with the main characters being born, then sits back for twenty minutes while they grow up and we await the arrival of a plot. Jesus. In the absence of comprehensible dialogue, Michael Carreras, you had one job. Tell us a story.
The film is pretty near unwatchable for grown-ups and unsuitable for children. I can recommend it only to the senile or unborn.
The film isn’t even very useful for students of cinema to analyse as a bad example, because it’s awfulness is so obvious. And the thought experiment “How would I improve this?” can be answered in an infinite number of ways. Anything you do would improve it.
But I have one thought. Change the character names — make them the same as the actor’s names. It can still be in cavemanese, if you like, but make the leading lady a Julie, and her boyfriend a Brian. Hilarity ensues. Think of it! cavepersons called Audrey, Ken, Tamsin and Tony! Truly, when something is a sterile fantasy with no connection to the real, a dose of the mundane will spice it up. And when something is stale, flat and unprofitable social realism, a dash of surrealism is what you need.
“Ugga ook heek moop, Mildred.”
“Nakk! Vera P. Crosdale acka pikk ungo, Derek.”
“Samantha! Cheryl! Urk anga!”
It would still be pretty low on my list of prehistoric adventures, but it would be better.