Adolphe McMenjou

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Weird.

Adoplphe Menjou (attired as a Scotsman) to Fred Astaire in YOU WERE NEVER LOVELIER: “At heart I’m a sentimentalist. I pity you but I love my daughter.”

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Adolphe Menjou (attired as a Frenchman) to Kirk Douglas in PATHS OF GLORY: “You have spoiled the keenness of your mind by wallowing in sentimentality. […] You’re an idealist, and I pity you as I would the village idiot.”

Be that as it may, there is absolutely nothing to be gained by comparing these films.

However, YWNL is a very enjoyable Astaire-Rita Hayworth musical, though light on music — it takes forever for Fred to dance, and we’re fifty minutes in before the first duet. The plot is fine, with just enough plausible deniability to prevent us concluding it’s about Menjou’s incestuous passion for his daughter, Rita (the biology is as unbelievable as the plotting), but it seems to take a long time to work through, with a few really good laughs along the way, admittedly.

Points are awarded for excellent use of Xavier Cugat, who gets to conduct, cartoon, and converse with far smoother integration than in the Esther Williams vehicles he pops up in (generally trying to palm off chihuahuas on Jimmy Durante, though my memory may be exaggerating the frequency of that transaction). And though I think Ginger was undeniably Fred’s best dancing partner in terms of chemistry, it is certainly arguable that Rita is the better dancer.

I can’t believe I snapped this frame grab at random and it came out so great ~

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3 Responses to “Adolphe McMenjou”

  1. I have a soft spot for this film, even though, as you say, it’s light on music. In addition to the good points you mention, Gus Schilling strikes me as a terrific substitute for Edward Everett Horton.

  2. Hmm… I think he overdoes it slightly, but not bad. There IS no substitute for EEH.

  3. Fair enough. Not a substitute, then, but a competent and enjoyable understudy. I agree that Horton is uniquely delightful, and it was careless of me to imply otherwise.

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