Some kind of a puppet
I’ve been looking for this sketch since forever. Easily, for me, the most memorable thing the satirical puppet show Spitting Image ever did.
The modus operandi of the show was snark, but this posthumous piece on Orson Welles can be processed in other ways. At the time, I remember finding it not so much funny as thought-provoking.
The year was 1986. Welles died in October the previous year. It was kind of odd for a topical show to pick up on something not really in the news. “Don’t you think right after his death -?” as a guy named Thompson once attempted to ask. This little scene riffs on some of the commonplace bits of snark about Welles — “from CITIZEN KANE to sherry commercials” but offers a different spin.
American satires of Welles come with a not-so-hidden subtext: he started big and ended small. He made the greatest film ever, and look what happened to him. Beware, all of you, of artistic ambition. Hubris! No good can come of it. Very reassuring to those with regular work making run-of-the-mill multiplex fodder.
The authors of this piece are still prone to underrating later Welles achievements, as far as we can tell in its rather incomplete summary of his career. But by flipping Welles’ biography around, this little spoof raises two points ~
- Does it matter what order Welles made things in? The fact is, he made CITIZEN KANE. A career with that in it is a triumphant career. Nothing that comes after it can invalidate it, any more than anything before it could invalidate it.
- What does it matter what you say about people?