The Sunday Intertitle: Yeast

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A full day in Bo’ness at last, soaking up the Hippodrome Festival of Silent Cinema. Four shows on Saturday —

Buster Keaton & Eddie Cline’s MY WIFE’S RELATIONS — world premiere of newly discovered ending!

Doubled with Garvin and Marion Byron in A PAIR OF TIGHTS, a Hal Roach farce from the mind of Leo McCarey!

VARIETE by EA Dupont in a fresh restoration of glistening quality!

DAYBREAK, a fascinating Chinese rarity from the thirties in a hideous DVD, cropped and lacking contrast!

WUNDER DER SCHOPFUNG — German space documentary — a film that is to sci-fi what HAXAN is to horror, using a factual basis as pretext for as many startling images as possible.

I also saw Jessie, a volunteer who mentioned that she never makes it into the videos about Bo’ness, so I thought I’d give her some publicity here.

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Just time maybe to comment on the new ending of MY WIFE’S RELATIONS. The original cut fizzled out with Buster battling his in-laws in their newly acquired mansion, then swiftly cut to him on the back of a sleeper car — a favourite escape ending. This time the train is the Reno Express, so a quickie divorce is intimated. As a final shot it’s perfect, but the film doesn’t seem to get as there. A colossal ellipse gapes, not entirely complete-able by the imagination.

This new ending gets Buster out the house at least, but then the film simply stops, sans resolution. It’s absolutely clear to me that the two endings must be combined — Buster escapes the house AND boards the train. Then you got an ending. I’m even wondering, based on another error in the restoration involving the Polish intertitles (don’t ask), whether a combined ending was intended and then overlooked. Such blunders do happen — I saw several in Bologna involving restored Chaplin shorts which were still works-in-progress.

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More on the rest of these soon. I’m in the edit today! If I’m VERY lucky and efficient I might make it to STELLA DALLAS (1925) this evening.

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