Archive for October 24, 2014

Harry Houdunnit

Posted in FILM, Television, Theatre with tags , , , , on October 24, 2014 by dcairns

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Fiona is on a Houdini kick, so she compelled me to watch the History Channel’s biopic, starring Adrien Brody (authentically Hungarian) as the Great Man.

Scripted by Nicholas Meyer (TIME AFTER TIME) with numerous fictional flourishes (Rasputin? the bullet trick?) and a tacked on voice-over which works hard to ruin everything, along with an irksome, pumped-up music score, the show is nevertheless diverting, since the facts of Houdini’s existence are remarkable enough and Meyer includes plenty of them. Brody is good, even if he is spectacularly elongated where HH was spectacularly compact. Director Ulli Edel (LAST EXIT TO BROOKLYN) throws all he’s got at it, and some of it sticks, but stricter organisation of shots would have helped. It’s more like an exciting compendium of effects than a job of organisation.

The real revelation is that Houdini soars whenever it documents the magic act, even when making stuff up. And most of the tricks are followed by explanations, where available (only the vanishing elephant is left as a tantalizing mystery, and indeed the trick as presented onscreen looks quite impossible). It’s the rather clumsy attempts to provide psychological explanations for Houdini’s actions and career and life which drag the two-parter down to earth like multiple balls and chains. So I propose a new approach for the next biopic — try focussing on the career, the reason we’ve heard of the character in the first place, and skip over everything else — leave the motivation as mysterious as the dematerialised pachyderm. If your character is a showman like Houdini, there will still be plenty of drama…

 

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