The Sunday Intertitle: Tomorrow Belongs to Me
Got some complimentary copies of CALIGARI in the post from the good people at Masters of Cinema. I’ve contributed a video essay to this one, and David Kalat has recorded a commentary track. His MABUSE tracks are among the finest commentaries out there, and this is well up to standard. I was intrigued to discover that we were both offering alternative readings of the film which intersect at various points. While mine is along the lines of a crackpot theory, inspired a little by MULHOLLAND DRIVE, Mr. Kalat simply dispels the clouds of intrigue and confusion whipped up by the Krakauer-Janowitz account of the film’s making and meaning. Interestingly, while that yarn has been largely discredited for some time, it has still had an influence on how people see the film.
As mentioned before, the restoration makes the movie look like new, and suddenly, being able to see the facial expressions clearly, you get a whole new kind of emotional involvement too.
I have one spare copy — maybe I’ll offer it as a prize in the next Shadowplay Impossible Film Quiz?