Archive for September 8, 2014

Gooble Gobble

Posted in FILM with tags , , , , on September 8, 2014 by dcairns

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I’m sure others have pointed this congruence out before, but, well, here it is again.

Conscious influence seems possible, though one can’t imagine the puritanical Disney being a fan of Tod Browning’s FREAKS. I recall in the end of the Grimms fairytale, the wicked queen is made to put on red-hot iron shoes and dance herself to death, which is a little more in line with MGM’s disreputable horror. Throw in some feathers and you’ve got a deal!

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Disney keeps the thunderstorm (which may, we are told, be responsible for Cleopatra’s transformation to chicken lady. Ponder than one!) but sensibly reduces the cruelty. We are left to wonder what exactly the seven little miners would have done to that old woman if they’d caught her, and what The Sun headline would have been (does Doc’s name imply he has the surgical skills to forge some kind of woman-fowl graft, like Johnny Eck and Prince Randian and Schlitzie apparently did in FREAKS? What exactly ARE Koo Koo’s medical qualifications?) — instead, Disney has the witch-queen attempt to topple a boulder on her miniature lynch mob, and, in a bit of physics that’s unusually reasonable for a cartoon, she instead pries the cliff ledge loose beneath her feet, and plummets to her doom upon the jagged rocks below. Vultures swoop down, but for once are able to resist forming a barbershop quartet.

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It’s a good action sequence, not just because it has spectacle, but because it solves tricky plot problems (killing the villain without making the goodies murderers) in a credible and exciting way. I suspect a lot of people don’t realize that action sequences are written, and though often fight arrangers and second-unit directors play a major role, if the sequence doesn’t affect the direction of the story, it’s a narrative failure.