Archive for August 24, 2014

The Sunday Intertitle: Hello, Mabel

Posted in FILM with tags , , , , , , , on August 24, 2014 by dcairns

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No wonder the Goldwyn lion looks grumpy: he’s only a painting. In those days, lions were only paintings. I guess it was Mayer who fleshed him out.

Two more Mabels. Mabel Normand left Keystone for the same reason nearly everyone else left — Sennett paid badly — and for another reason, that she was tired of being on the bottom of the bill with short films while everyone else was making features and getting all the respect.

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At Goldwyn, she made WHAT HAPPENED TO ROSA which is pretty funny in places but only really gets going when Mabel drags up. The romantic comedy angle suffers from a lack of any real problem to solve, and the movie fizzles out. But the “plot,” in which gullible counter-hopper Mabel is convinced she has an exotic Spanish other self, at least allows her to be exotically glam. But it’s funnier seeing her as a boy with a coal-smudged face, throwing herself all over the furniture.

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Much more interesting, we thought, was THE NICKEL-HOPPER, produced by Hal Roach. Roach had the right slapstick sensibility, and Mabel excels as a taxi-dancer whose work-shy father ruins all her chances at romance, until…

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There’s a great back garden chase climax on this one. It’s a weird length, 37 minutes, but it’s jam-packed with shenanigans. And the cast! In one scene we get Oliver Hardy as an exuberant jazz drummer — and it’s impressive to see one of the most distinctive movie outlines inhabited by a whole different personality, sans moustache and equally shorn of his trademark fiddliness — and Boris Karloff, playing the same kind of Not Safe In Taxis sex louse he would essay so memorably in FIVE STAR FINAL (under the name T. Vernon Isopod, which I never get tired of saying).

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