Another Gondry
I’m at best a novice interviewer. I tackled Michel Gondry via telephone with a bad hangover and a primitive recording device taped to the phone. Gondry had been planning to attend the Edinburgh screening but cancelled because he was tired. An excellent reason — I’d like to be able to pull that one off. So I phoned him and then realized my recorder was full and I didn’t know how to empty it. I also realized it wasn’t going to be able to hear the telephone, but I quickly discovered the speakerphone function which had never been used in ten years… then things went quite well until the phone went dead because I hadn’t realized speakerphone eats up the power. Then I called back and we concluded our chat and it was all very pleasant — Gondry is a smart and affable fellow.
The piece is up at The Notebook and it’s all about COMMUNICATION.
Also, I told him about my Richard Lester project for Criterion because there are some remarkable parallels between Lester and his subject, Noam Chomsky — both are octogenarians from Philadelphia whose fathers were academics — Lester studied clinical psychology while Chomsky went into linguistics. And Lester shot his first short on a Bolex, the same camera Gondry used for his film. He seemed — I won’t say impressed, he’s too French for that — but he said “Really?” And the question mark was audible, which counts for plenty.

June 21, 2014 at 1:16 pm
One of the reasons I’m such a Francophile.
June 21, 2014 at 4:42 pm
Really nice to see a film about ideas and images, with almost nothing in between.
June 21, 2014 at 11:57 pm
“I tackled Michel Gondry via telephone with a bad hangover and a primitive recording device taped to the phone.” Well, if I may politely offer a couple of observations (I did a lot of interviewing for various magazines and papers in the 1970s).
#1 Don’t get drunk the night before. I speak from grim experience. (In fact sober is, I think, generally better, period. If that doesn’t sound too much like Julie Walters’s keen, clueless, hopeful actress in Alan Bennett’s Her Big Chance).
#2 Why on earth record an interview? The reporter’s trusty notepad and a modest supply of reliable styli is all that is needed.
xo
June 22, 2014 at 2:15 am
1) Well, previous night was the first screening of our film, so drink was taking. It doesn’t really help with one’s journalistic duties, though, no.
2) I have done interviews without a recorder but found the strain of memorizing got in the way of the famous “flow of conversation” and so you can be more relaxed and encouraging when you place your confidence in technology.
June 22, 2014 at 5:59 pm
I bought Gondry’s Director’s Label when it first came out and found it hugely inspiring, mostly by seeing his practical and self-directed work ethic. Finally read this interview and I got a lot out of it, so thank you.
June 22, 2014 at 11:48 pm
Thank YOU. Yes, he’s quite impressively productive, and has a new take on the “one for them, one for yourself” model which seems like it might even work more than half of the time.