Age Cannot Wither Him (more than it already has)
THE MUMMY (1932) is historically unique in being the only Universal horror movie with a main title carved out of waffles.
It’s also a really beautiful movie, and Universal’s Blu-ray does it justice. Sadly my images here are from the DVD as I don’t have Blu-ray frame-grabbing skills or technology yet. A lot has been written about the film so I can’t swear my observations are original, but here, in the interests of promoting a spectacular new box set, are my ~
TEN PLUGS OF ANCIENT EGYPT
1) David Manners’ character name here is absurdly apt: Frank Whemple. One just can’t imagine another actor embodying that name so perfectly.
2) I love how Karloff’s magic pool shows him flashbacks of Ancient Egypt without sound — because sync sound is a new development in Hollywood, so obviously they couldn’t have had it in Ancient Egypt.
3) They’ve shamelessly cloned the plot of DRACULA, but it gets even more interesting now that the threat isn’t just foreign, but non-white. The movie becomes a struggle for the soul of the half-English, half-Egyptian Helen Grosvenor (Zita Johann). Obviously, her Aryan side has to win.
4) Helps that Karloff is so thin — he actually has the perfect physique for this, whereas he needed padding out for FRANKENSTEIN.
5) That opening scene — “He went for a little walk” — is really a perfect horror short. It would stand alone without any trouble.
6) Karloff’s mummification scene gave me nightmares, or at any rate disturbed me deeply as a kid, watching the BBC2 Friday night horror double feature. Don’t know if I had actual nightmares, but I was too scared to sleep right away. I guess I saw DRACULA the first week but wasn’t allowed to stay up any later for FRANKENSTEIN. The second week must’ve been THE MUMMY and BRIDE OF FRANKENSTEIN, because I didn’t see the Whale films until a few years later. In week three, though, I saw SON OF FRANKENSTEIN, and found that far more exciting than the two more languid movies I’d thus far experienced.
7) I love Karl Freund’s theatrical lighting changes — where did he get that idea? There’s the lighting change on Karloff’s eyes which shows his hypnotic power, and there’s the mood lighting around Boris’s psychic paddling pool.
8) Zita Johann (in her Vera West costumes) is indeed alluring. She was married to John Houseman but John Huston put her through his windscreen in a drunk driving incident, and did that lead to divorce? One can picture Huston trying to explain what she was doing in his car: “I put her face through the windscreen but that’s as far as it went, honest!” (She was OK.)
9) Edward Van Sloan doesn’t seem to be doing his strange quasi-Scottish accent here. Where did a Minnesotan with a Dutch name acquire that posh Kelvinside lilt?
10) Can’t wait to watch the Jack Pierce documentary, but Fiona would kill me if I ran it without her.
Buy this thing ~