Uneasy Lies the Head
Via Richard Harland Smith on FaceBook, I learn that David Warner’s severed head has recently changed hands at auction. Don’t know how much it fetched.
The head was manufactured for THE OMEN, in which a stray sheet of glass separates the part of Warner that memorizes its lines from the part that does an impressive gorilla walk in MORGAN: A SUITABLE CASE FOR TREATMENT. From my own limited experience of prosthetics, I’d say it’s amazing how you can make a life cast of somebody and it can still not look entirely convincing, if caught from the wrong angle or seen for too long.
From this angle, he looks exactly like a peat bog Tintin. I guess they didn’t bother with ears because Warner’s mop of hair makes them invisible and unnecessary, on a prop head at least.
I absolutely love it that they’ve carefully labeled the head “DAVID WARNER,” in case, presumably, somebody didn’t recognize him among all the other severed heads they have lying around. That would seem possible if it weren’t that Warner is the only actor who gets decapitated in THE OMEN. But maybe they made fake heads for Gregory Peck and Billie Whitelaw and everybody else, too, just in case. Might come in handy in the event of an unfortunate accident. “One for Lloyds,” as we say in the Brit film industry.
If I could own an actor’s severed head (in prosthetic form), I suppose I might go for Arthur Lowe’s, since his truncation in THEATRE OF BLOOD gave me waking nightmares as a kid. I literally couldn’t enter a room without quickly scanning all the surfaces in case Arthur’s cranium was gazing at me from atop a milk bottle. Having him around now might finally exorcise that fear.
There must be a great many fake heads out there — I recall images of Vincent Price, Peter Lorre, and Alfred Hitchcock posing with prop head likenesses of themselves, and when you add up the number of loppings in movies since graphic dismemberment became an accepted and indeed required ingredient of family entertainment, it’s unlikely that there are any successful stars out there who haven’t shed at least one noggin during their careers. It might be nice if we could have a convention where all the heads could be brought together to, I don’t know, stare at each other. I admit, I haven’t really thought it through.



October 5, 2012 at 11:26 am
One ear’s visible in the high angle shot. I would suggest the other one fell off due to age. Not the REAL David Warner’s age, the head’s. Would anyone like to calculate the age of David Warner’s fake head ? Because frankly, I can’t be bothered
October 5, 2012 at 11:30 am
“As old as my tongue, and a little bit older than my teeth.”
October 5, 2012 at 11:46 am
I think you’re being a bit harsh on the quality of a head that has clearly deteriorated over the 36 years since it was made. Obviously what has happened is that this head has been ageing on an attic shelf, while the real David Warner stays youthful despite his debauched lifestyle. (I’m joking Mr W, please don’t sue!)
October 5, 2012 at 12:01 pm
Of course the head has decayed over the decades… but if you pause the film, what you can see looks pretty goofy. And it’s an accurate cast of the real DW, it’s probably more the wig, and also the fact that of course the expression is unvarying…
Still think it would be nice to own Arthur Lowe’s bonce, then I could be sure of where it is, there’d be no possibility of coming upon it unexpectedly…
October 5, 2012 at 1:45 pm
It does seem to me that Warner’s plan has worked and he hasn’t visibly aged much at all. The preferred approach of many in his industry seems to be to have the prosthetic head fitted to their own neck, leaving the real head to moulder on a shelf somewhere…
October 5, 2012 at 4:03 pm
Wandering off on a tangent, but this reminds me of scenes that get their charge from mixing fake bodies with real. There is just such a scene in HOUSE OF WAX, with Charles Bronson and a shelf of heads. Perhaps this was swiped from an earlier film.
Then there’s the creepy moment at the mannequin maker’s apartment in EXPERIMENT IN TERROR. Mannequins are used to similar effect in Losey’s M and Kubrick’s KILLER’S KISS. And what about those dolls BUNNY LAKE IS MISSING…
You’d have quite an eerie short editing together these scenes.
October 5, 2012 at 4:14 pm
Mr. Warner has indeed stayed youthful, but for another glimpse of him when he was genuinely young–and giving the greatest performance of his career–see the “The Wars of the Roses,” which someone has posted in its entirety online (http://www.youtube.com/playlist?list=PL71808247F47E2A6E). Warner is especially good in scenes like this:
Watching the series reminds me that the Henry VI trilogy would make a splendid action movie for intellectuals–lots of horrific violence with terrific dialogue. And since it’s early Shakespeare, you can cut and rearrange to your heart’s content without any bleating from purists and English teachers.
October 5, 2012 at 4:18 pm
Damn, I gave a completely wrong link for Warner’s performance. Disregard the earlier video, and let’s hope this works instead:
October 5, 2012 at 4:56 pm
Looks like it did! A thousand thanks for that brilliance.
There’s an unexpected glimpse of Warner doing his Shakespeare bit when James Mason goes to the theatre in A Deadly Game, as I recall. And then there’s Peter Hall’s odd film of A Midsummer Night’s Dream.
October 5, 2012 at 5:50 pm
I once met Warner and spoke to him at length about his work with Sam Peckinpah. He told me that Peckinpah offered him Cable Hogue and wouldn’t take no for an answer. Warner was terrified of the idea of going to the USA and doing a Western and tried everything he could think of to get out of it, eventually saying he was scared to fly. Peckinpah arranged for him to travel from London to Death Valley by boat and train, and delayed the shoot til he was available. And so, we have one of the greatest, maddest, unlikeliest partnerships in cinema.
October 5, 2012 at 7:05 pm
I love him in Cross of Iron best. And how come he’s uncredited in Straw Dogs?
October 5, 2012 at 7:53 pm
Warner was also brilliant as the voice of Ra’s Al Ghul in Batman: the Animated Series. Far more imposing than Liam Neeson in the Nolan Batman films, which made a hash of the character in their quest for that chimeric beast called “realism.”
October 5, 2012 at 8:53 pm
I just bookmarked “The War of the Roses” to watch in full; the excerpt was beautiful. Thanks, IA. One of the best Shakespeare productions I’ve seen was a reformulated Henry VI with the three parts squeezed down into two and the emphasis on action and remorselessness.
October 5, 2012 at 9:18 pm
Yeah, I think I might have to have a go at the whole epic too. One is so used to Warner enlivening trash, it’s rather a shock to see him doing something serious.
October 5, 2012 at 11:05 pm
October 5, 2012 at 11:35 pm
For once, I don’t get the connection with this clip…
October 6, 2012 at 12:16 am
Zardoz,-it’s another giant 70s open mouthed head.
See also Bring me the head of Alfredo Garcia and Dawn of the Dead for (IIRC) an actor shooting his own dummy head.
Severed heads in the 70s-a series or a thesis?
Also Robert Shaw fantasising about kicking his own severed head in Figures on a Landscape. And I Claudius, And Aguire Wrath of God
October 6, 2012 at 12:33 am
That Robert Shaw line is very striking. Fantasising about kicking his head AT A HELICOPTER, no less.
Polanski sees his own head disembodied being punted past his window in The Tenant. So there’s a rubber Roman noggin out there somewhere, which I’m sure SOMEBODY would appreciate having about the house.
Did Terence Stamp begin this trend?
October 6, 2012 at 1:08 am
http://www.youtube.com/watch?v=ctmvnEy2IrI&NR=1
October 6, 2012 at 1:29 am
October 6, 2012 at 1:29 am
To repeat David C’s question: Why is DW uncredited in Straw Dogs?
This has always mystified me — and as that film was my introduction to this actor, HE has always mystified me.
The facts about this are almost certainly prosaic — contractual conflicts, or some such — but maybe it’s something more baroque (his fear of flying and Amerophobia are intriguing in this regard…).
Does anyone know anything more concrete about this?
October 6, 2012 at 4:18 am
The head does look like shit already in the actual movie so I’m not surprised at what it looks like after all this time.
October 6, 2012 at 11:59 am
Apparently F Murray Abraham is uncredited in Bonfire of the Vanities because they couldn’t agree over billing. Why NO billing should be considered a victory by F is a mystery to me, but it could be regarded as a lucky escape, considering the film’s reception.
Maybe Peckinpah was so drunk he simply forgot DW was in the film?
October 6, 2012 at 1:44 pm
http://www.youtube.com/watch?v=rVSa_pHN0Ig
October 7, 2012 at 7:07 am
IIRC, David Warner’s lack of credit in Straw Dogs had something to do with his injury. He wasn’t using that crutch for the character, he really needed it due to something that happened before filming. Would it have interfered with the film’s insurance to hire a lame actor? I dunno. I’m pretty sure something clearer can be found on the Criterion DVD commentary, but I don’t have it handy to check.
October 7, 2012 at 10:01 am
I do recall he fell out of a window or something right before the shoot and his limp was real. And the guy with his arm in a sling broke it falling off a pub table. I’m not sure how that can relate to the lack of credit, but you’re right that the very informative commentary may hold a clue.
October 7, 2012 at 4:28 pm
Bring me the Cred of David Warner?
October 7, 2012 at 4:34 pm
EXCELLENT.