Hot Voodoo

Now, if that title isn’t an open invitation for David Ehrenstein to post a clip from BLONDE VENUS in the comments section, I don’t know what is.

The scene is the West Indies. OUANGA, or THE LOVE WANGA is a 1936 “race film” — a lot more sophisticated, filmically and philosophically, than SON OF INGAGI. My ex-VHS copy of it is so bad it’s hard to tell how good some scenes may be, lost as they are amid hissing murk, but some moments are very good indeed. Long stretches obviously aren’t, though.

The main attraction is the remarkable Fredi Washington, star of the original IMITATION OF LIFE, which is less progressive than the Sirk in many ways, but they did cast a genuine light-skinned black woman, not a Mexican/Jewish girl. Washington was so pale-skinned she would sometimes be “blacked up” for the cameras, but she declined to “pass” and play white roles, thereby limiting her career but preserving her integrity.

She’s alluring and domineering as mixed-race plantation owner Klili Gordon, ex-lover of a white guy from the neighbouring plant. When he ditches her for an insipid blonde, Klili turns to voodoo for vengeance, casting hexes and raising a couple of zombie abductors, whom she commands with a whip. (The idea of zombies as the next stage down the racial-social ladder, the slave class of the slave class, is intriguing.)

On the one hand, this is a horror film about miscegenation in which miscegenation IS the horror. One the other hand, the story is structured so that Klili knows more about what’s going on than anyone else — she becomes the audience’s eyes and ears and therefore our substitute. It’s impossible not to root for her evil schemes to succeed, especially as nobody else in the film is particularly intelligent, attractive or interesting. The closest is the (supposedly) mixed-race guy who loves Klili and sets out to thwart her plans…

This is the only talkie made by George Terwilliger, whose career began in 1912, and seems to include some other racially-themed tales. He hadn’t directed in ten years, gets pretty bad work out of his actors, but delivers consistently interesting visuals. (Washington is very watchable, but in IMITATION OF LIFE you see how good and honest she can be, compared to her hoaky melodrama here. Still, she’s the bright spot.) Melting mists of multi-layered lap dissolves, expressionistic floor-level lighting, striking graphic compositions, and yet the dialogue scenes  are left to lie where they’ve fallen.

I guess Terwilliger packed it all in to pursue his dream of building a very long piano.

Some striking shots — acres of darkness, with night scenes apparently played against black cloth — comedy relief negritude that’s slightly less disturbing than usual, but only slightly — at it’s best, though, this evokes the stilted, oneiric crackle of WHITE ZOMBIE. We just need a better copy of it to be sure.

22 Responses to “Hot Voodoo”

  1. Here’s Fredi with Cab Calloway

  2. What a phenomenal scene this is! Marlene is both Beauty and The Beast in a single gorgeous body. A young and gorgeous Cary Grant looks truly bewildered by it all. Why is nobody able to make films like this today?!

    Many thanks, David E.

  3. You’re more than welcome.

    Here’s Fredi Washington again — dancing up a storm for Duke

  4. Wasn’t it Grant who later told Sternberg he hadn’t understood a single direction he’d been given on that film — until much later?

    Reading Frank Langella’s gloriously indiscrete memoir, and disappointed to learn Frank and Tony Curtis agreed that Grant was a poisonous bore in real life. “Nobody could suck the air out of a room like him.” Still, on the screen, he perfumed it beautifully.

  5. La Faustin Says:

    Mel Brooks on Cary Grant in real life — the consensus builds!

  6. Beautiful. Christopher Challis lit him on The Grass is Greener and called him “the biggest old woman I ever worked with.” Grant refused all backlighting, claiming it would make his ears glow with undue prominence. Challis eventually rigged up a light on a dimmer behind Grant, fading it down any time he turned in that direction.

  7. Mel Brooks is a GOD!

  8. Barbara Steele called Cary Grant “The best pressed-suti you ever owned.” He had her under contract for awhile. She liked him a lot. But she liked his chauffeur better.

  9. Cary Grant could come round and bore me to tears ANYTIME HE LIKED.

  10. Expectations of him must have been so high, it would be hard for him not to disappoint at least some of the time.

  11. Especially if one were a woman, I would guess :)

  12. Tsk, tsk. Isn’t it enough that Grant was one of the greatest movie stars of all time?

  13. It is for us. Not so much for those who had to live with him.

  14. He’s truly magnificent onscreen, and he quite when he was ahead. And there are a few stories of him being marvelous offscreen too.
    “You don’t look like Cary Grant.”
    “Yes, well, no one does.”

  15. I’ve really enjoyed following this post and the comments. Fantastic blog!

  16. Where can I view “The Love Wanga”? I’ve come across references, criticisms and posters so often…

  17. You’d probably have to buy it from me, there’s no official release. Quality isn’t great, but watchable.

  18. put this film on internet, dude, it’s almost lost

  19. It’s not lost, it’s right here in my living room.

  20. David, the UCLA Film & television Archive has restored OUANGA, and is presenting it free to watch online for a couple weeks.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: