Tourist Class

Alexander Payne’s episode of PARIS JE T’AIME, I think by some considerable distance the best thing in that anthology. Obviously, what’s great is the journey from easy laughs to emotional connection to the cathartic sublime.

I’m in Paris again, this time with Fiona. Remind me to tell you why.

Meanwhile, Limericks here and here. And generally all over that site! Must be why it’s called Limerwrecks.

15 Responses to “Tourist Class”

  1. And here’s the second-best

  2. D Cairns Says:

    Movie studios ought to stop fighting YouTube — I mean, sure, if the whole movie’s up, take it down, but the opening sequence — that’s just doing their publicity work for them.

  3. Mindless bureaucracy gets the stuff taken down, I’m not even sure there’s any genuine human intervention. A lawyer perhaps, but then I repeat myself ;)

  4. Wait — It’s Back!

  5. What I love about this opening isn’t simply the fact that it’s a letter perfect example of power of montage, it also captures precisely what I feel about Paris. Wandering about it “aimlessly” I never feel alone. The city holds me in my arms like an old high school boyfriend.

  6. D Cairns Says:

    Gustave Moreau Museum today, then meeting with Pathe. Might not get any me-time to feel the city… But first, petit-dejeuner!

  7. Shane Danielsen Says:

    If your only conception of Paris is Every Obvious Tourist Cliché, reducing the city to a string of picture-postcard images, then that montage might – just conceivably – hold some power. I hope, however, that your high school boyfriend was a little less predictable.

  8. Predictablity can be very romantic.

  9. Good news for Rivette fans — Christine Laurent, his long-time script collaborator, has directed another film, her first since 2006.

    I guess Shane isn’t a fan of the Woody Allen… can’t please everybody.

  10. Me neither. The film’s just going out on the festival circuit — I can’t talk about it yet because of my new job at Edinburgh Film Fest.

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