“I’ve always had a suppressed desire to see a grave opened up… especially at night. It’s exciting.”
Peter Lorre in THE VERDICT.
This was Don Siegel’s first film as director, and Lorre and Sidney Greenstreet’s last together. Siegel noted with amazement that Greenstreet was always on time, letter-perfect, knew his lines and everyone else’s, whereas Lorre didn’t even know which studio he was in — and yet they were magnificent together.
Very nice mystery with top smarm from George Coulouris. The look is more Warner house style than Siegel grit, with striations of glossy black shadows and fog fog fog — Hollywood England with a German expressionist tilt. I’d seen it years ago on VHS, so I was keeping half an eye on Fiona, who hadn’t, to see if the twist ending would work. It did. “Oh, I don’t want Peter Lorre to be the killer, he’s too much fun!” Is that a spoiler? Watch it and find out!
Buy: The Verdict (1946)