I Like Ike
Going into the peculiar TAKE A CHANCE I was already a big Lillian Roth fan. Coming out of it, I’m a big Ukulele Ike fan. He’d somehow passed me by until this moment, apart from his work as Jiminy Cricket. Of course, Ike (AKA Cliff Edwards) was uncredited in that, along with the rest of the voice cast (such strange, distant days those were — now, voice actors are cast not for their voices but precisely for name recognition).
But I read the name in Bob Balaban’s Close Encounters of the Third Kind Diary, since Spielberg had previewed his big UFO movie with the song at the end, to horrible reactions from the audience. Columbia stock dropped so fast they had to stop trading. The power of song…
Of course, Ike’s rendition, which is beautiful in its own right and works like a charm in the Disney, would have been fatal in Spielberg’s wide-eyed conspiracy thriller, unbalancing the thing and undoing all the credit it gets for having edgy seventies actors and cinematography, turning it into the big load of baloney it secretly wants to be but is ashamed of owning up to. Balanced on that knife-edge, it never quite becomes total kitsch, and is something I’m really quite impressed by, despite my cynicism about it.
(The live radio version heard 3.50 into the above clip is much preferable, I think, to the soupily orchestrated movie version — when vocals are as emotively quavery as these, you don’t need syrupy strings.)
Anyhow, for my reactions to TAKE A CHANCE, and for two Lillian Roth numbers and one Ukulele Ike, skip over to The Daily Notebook for the penultimate Forgotten Pre-Code.