Above — from CITY OF PIRATES — why Raul Ruiz must and should make a 3D movie.
My sole objection to 3D at the moment is that it’s the domain of big blockbusters (including some very good ones, like TOY STORY 3 and CORALINE), predominantly kids’ films, with a few cheapo horrors thrown in. And of course I’ll have no truck with any movie retrofitted for the process. When a smaller film does get made, like Joe Dante’s THE HOLE, the scarcity of screens that can accommodate the third dimension results in a long wait for the movie to appear.
“A waste of a perfectly good dimension” is Roger Ebert’s witty dismissal of the medium, but that doesn’t really make sense: since the fifties, the dimension of depth has been essentially lying fallow, save for the efforts of sculptors and architects. Admit it: your life has become flat, two-dimensional, like a western set in an old movie. Turn you around and we’d see the clapboard backing and wooden props holding you up. Like the denizens of Flatland, you walk only in straight lines, and when you meet somebody coming the other way, you try to climb over them. This is the cause of all the turmoil in the world.
3D MOVIES FOR PEACE!
Ruiz, as a native of Chile who’s had to spend decades abroad due to the political ructions in his homeland, is all too aware of this, which must surely be why he’s tried to force a third dimension into his non-stereoscopic productions, poking the audience in the eye by composition alone. Wake up and smell the third dimension! There’s space there for EVERYBODY!