Shadowplayer Dan North got very excited just recently when I mentioned the oft-quoted fact that CITIZEN KANE uses stock footage culled from SON OF KONG (or KING KONG, according to some). He decided to pinpoint the exact shot that said footage originated from — but was unable to do so. And it’s not his fault, look —
Charles Foster Kane takes his wife on a little picnic.
The actual sky and landscape not meeting Welles’ requirements, special effects supremo Linwood Dunn has matted in a new sky and jungle scenery to this shot. Now we get to the “picnic” itself (as Welles’ narration notes in THE LADY FROM SHANGHAI, “It was no more a picnic than… he was a man.” Grotesquely overblown but unsatisfying picnics are a mini-motif in Welles.)
Here we see KANE star Paul Stewart glide about, all sepulchral-like, against a rear-projected background which features animated flying creatures, sometimes referred to by commentators as bats, sometimes pterodactyls. They also resemble storks (like the artificial ones seen in the magic carpet ride in Murnau’s FAUST). You can see them as angular black shapes in the upper middle of the frame. Now, it seems incredible that anyone would take the trouble to add giant animated birds just to render the shot unconvincing, so it’s not specially created for KANE, we can assume (or can we? I would welcome any crackpot theories here). So, the argument that this material derives from one of the KONG films, also produced at RKO and featuring copious animation by Willis “Obie” O’Brien, makes sense. But is it actually true?
Note that the silhouetted bird-things appear to be 2D animation rather than animated puppets. Note also that they pass IN FRONT OF the tents — this means that the weird tents are part of the stock footage, whatever it is. Also, I think they’re actually a painting rather than real tents. The rippling water is, I think, part of the stock footage too, so it’s not all animated. There’s also a little curved Japanese-type bridge as part of that background.
It doesn’t look like Skull Island as I remember it.
So what is this? I don’t have a copy of SON OF KONG to check, but I’d be surprised if this scenery existed in it. It certainly doesn’t in the original KONG. Even THE MOST DANGEROUS GAME doesn’t seem likely. I looked around for other RKO films with a jungle theme, but didn’t find much. I looked at Obie’s other credits, and found THE DANCING PIRATE, which who knows, might feature some kind of encampment? It would be amusing if this were the film, since it features a very very young Rita Cansino, the future Rita Hayworth and future Mrs. Welles.
So, I’m appealing for help — an authoritative source explaining where the footage came from, or even better, a frame grab of the actual shot in the actual film that first featured those enigmatic flapping fellows. Let’s sort this out!