Archive for September 13, 2008

The House of Small Cubes

Posted in FILM on September 13, 2008 by dcairns

Animation, written by Kenya Hirat, directed by Kunio Kato. Japan.

An old man lives in a little house atop a mighty tower. All but his room is underwater. There is a whole city down there, teetering spires narrowing to a few little shacks on the surface. The old man fishes through a hatch in the floor and drinks a glass of wine each night.

One morning the water has risen and come into his house, so he builds another, slightly smaller house on top and moves in. A hatch opens into the flooded house below and enables him to fish. But he drops his pipe!

Donning scuba gear he enters the flooded levels, retrieving his pipe but being assailed by memories of the life he lead in each progressively deeper domicile. Descending to the very bottom he finds a wine glass, half of a toast he drank with his wife the day they moved into their first, ground-level home, before the flood.

Returning to the surface he fills the retrieved glass, then his own.

Ting!

Advertisements

Mackerel in Milan

Posted in FILM with tags , , , on September 13, 2008 by dcairns

A blog post without illustrations is like a day without sunshine — like today, in fact. Yes, the rain it raineth, though when I arrived yesterday the sun was blazing and I texted home that I’d be brown as a nut by bedtime. Enjoyed a magic-hour bus ride from the airport with echoes of Fellini (TOBY DAMMIT, INTERVISTA) and enjoyed the strangeness (a street sign depicts a double bed, with the words “King Edward” alongside — turns out to signify a hotel).

Arrived at festival venue by subway (the automated Metro announcements sound like Sophia Loren, unlike in Vienna where they seemed to have hired Reggie Nalder, a mistake, I fear), got my free drink, went for a meal, and decided to head to the filmmaker’s house (the converted meat market). This meant missing some early Gilliam shorts, which was a shame. It also meant the start of Insomnia Watch, Night One. I’m now minus one-and-a-half night’s sleep, having slumbered only fitfully the night before my flight (I’m a certified Nervous Nelly of the Air, only calming down between take-off and landing because my nerves cannot physically stay taut for the duration of a journey). Took a sleeping pill, which acted like SPEED — I became instantly ALERT, and conscious of every sound (which in a disused meat market full of filmmakers is a lot to be conscious of). So we’ll see how this whole sleep thing goes.

Then I discovered one of the two differences in Milanese transport. One is that a green man on a traffic light, unlike in the UK, is actually a signal for drivers to kill pedestrians, but the other thing is that Milanese trams are actually a TRAP. You get on, and look for some way of buying a ticket. There isn’t any. The tram moves off. Then an entire squadron of conductors appear at the next stop and fine you 33 Euros. They travel in squadrons “to remove obstacles from the tracks,” like Henry Fonda in ONCE UPON A TIME IN THE WEST. Fortunately the receipt for the fine comes in the form of another ticket that allows you an hour’s immunity from other fines, so you can use it as a ticket. But as I had been pulled off the tram I had to wait for another one, and saw a girl getting the same treatment. “This is STUPID,” she protested, and the conductors led her away round a corner, and then, a minute later, came back without her… I was glad I paid my fine.

Today I hope to see some films, and Terry Gilliam, and if the rain lets up, see some more Milan. I remember bits from my last trip, but all the countries I visited when CRY FOR BOBO was doing he festival rounds sort of blur together to form a dream-conglomerate-city, so that around any street corner I expect to find Barcelona, or Marrakech, or Puchin.