Frankenstein Goes To Hollywood
Can’t seem to stop myself thinking up alternative Frankenstein plots now. I tried the Frankenstein in Vegas variant, TONY POLAR MEETS FRANKENSTEIN (AKA INTO THE VALLEY OF THE SHADOW OF THE DOLLS) and the Frankenstein in London one, FRANKENSTEIN HAS RISEN FROM BELGRAVIA, as well as being tickled by Douglas Noble’s suggestion of Frankenstein in Edinburgh, rubbing cadavers with Burke and Hare (after Burke is hanged, he’s horrified to wake up with his head grafted onto the body of a West Highland Terrier called Bobbie).
Frankenstein in the Future scenarios are always tempting. Since Hammer revived Dracula in A.D. 1972, and since the Baron was experimenting with freezing himself in CREATED WOMAN, why not have him come down with an incurable infection, put himself on ice, and be revived in a later age when simple antibiotics can knock his illness on the head?
FRANKENSTEIN, HITLER’S MADMAN emerges as one possibility. The quest to create the Superman has never seemed so… messy. Will the Baron save Hitler’s brain? I think he will. But horror fantasy around Third Reich themes has a tendency to get repulsively tasteless, so I shove this idea to one side.
What if the Baron revived in the ’70s, same as Dracula? But Frankenstein is on the continent, in the midst of the New German Cinema, so we get THE BITTER TEARS OF VICTOR VON FRANKENSTEIN (Fassbinder’s TV drama Pioneers in Ingolstadt also seems pertinent here). Fassbinder himself would make a great hunchbacked assistant.
I am totally up for further suggestions.
This entry was posted on July 19, 2008 at 2:21 am and is filed under FILM with tags Dracula AD 1972, Fassbinder, Frankenstein Created Woman, Hammer, New German Cinema. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.