Quote of the Day: More ears
The Crust on its Uppers by Derek Raymond is a tale of upper-class lads mixed up in the early sixties London underworld ~
“The Admiral, as everybody knows, is a dreadful little gaff, which is why everyone never goes there, because it’s as square as the dear old Admiral himself (Admiral Teitelbaum of the Whitechapel Navy, I shouldn’t wonder). It’s off behind upper Regent Street and like a bank-clerk’s notion of a winter cruise gone sour in a blob of aspic; and the reek of stale middle-aged slag, wet macintoshes and beer contrast oddly with the burnt-pokerwork observations stuck about which tell you that the loo is on the midshipman’s deck — in a nutshell, it’s the one place where the law wouldn’t stick out like a sore thumb, which makes it O.K. for biz, as the law seems to think that biz is never done anywhere except in the Hautboy or the Tealeaf, and those two gaffs have more ears stuck around the walls than a Cocteau film.”

Good book! The constant rhyming slang and argot (and amorality) give it some of the feel of A Clockwork Orange, and of being allowed a priveleged glimpse of a “private little world”. And the fact that the protags are upper class drop-outs wallowing in the underworld (where their old school ties make a useful shield of respectability), plus the fact that this aspect of the story is drawn from the author’s own life, makes it a bit different from your standard mockney antics.
Plus plus plus the setting, 1961, catches Soho right in that glamorously-seedy EXPRESSO BONGO / BEAT GIRL phase.

June 13, 2008 at 1:56 pm
Did you ever read Joe Orton’s posthumously published novel Between Us Girls ? Somebody should make a film of that. (Quick — run out and find me a director with Orton’s, sense of humor.) It’s description of life in a Soho stripclub — rendered by a girl who seems to think it’s a posh night spot — is hysterically funny.
June 13, 2008 at 2:56 pm
I’ve only read pre-humously published Orton. Amazingly, we studied Loot in school, the only time the class really got into their English assigments. I’m going to run out and get Between us Girls somwhere.
I’m sure lots of filmmakers share Orton’s humour, in the sense of finding him funny, but how many could bring out his comedy on screen? I don’t think the films of Loot and Entertaining Mr Sloane quite work.
Lester was to have made an original Orton script for UA in ’69, with the Rolling Stones, but then his chauffeur found Orton murdered. he made The Bed Sitting Room quickly instead, without informing UA of the change in plan!
Derek Jarman felt “it would have been nice to have been asked” to direct Prick Up Your Ears, but I don’t know if he would have been a great match. The characters in his Caravaggio and Queer Edward II do come close to the Ortonesque in their antics, but aren’t actually funny. Frears lacked the theatrical sensibility to do it justice, but his film is quite nice all the same.
June 13, 2008 at 7:08 pm
Joe McGrath might have done. Lester lacks Orton’s giddiness. And yes the films of Loot and Sloane are awful.
A number of years back here in L.A. Loot and Sloane were done in repetory with the great Joseph Maher and the still lovely Maxwell Caulfield starring in both. Maher captured not only the humor of “Truscott of the Yard” but the horror as well. He’s quite capable of torture and murder and has no compunction about making you aware of that fact. This was Orton’s genius. His characters really meant business.
June 13, 2008 at 7:48 pm
“Anything can be arranged in prison.”
“Anything but pregnancy.”
It was a particular thrill to study the play in school and hear the words “You’re fucking nicked, mate,” spoken aloud in class.
June 13, 2008 at 8:44 pm
My allt-me favorite Orton line is from What the Butler Saw when Mrs. Rance discovers a dress in her husband Dr. Rance’s office closet: “So you’ve become a transvestite. I never realized that our marriage teetered on the edge of fashion.”
June 13, 2008 at 8:57 pm
That’s my fave Orton play. I like “Parts of the great man were even found embedded in my mother,” and when Rance (or someone?) invents a ludicrous alibi about “designing white golliwogs for use in racial trouble spots” the listener interprets this as “creating alien forms of life.”
June 13, 2008 at 10:42 pm
Like Pinter, Orton understood the political power of language.
June 14, 2008 at 9:34 pm
Well, bury me in a y-shaped coffin! Another point of agreement! I’ve always loved that play, something which led to me playing Rance in a ramshackle-yet-fervent production.
It’s Prentence who comes up with the line about the golliwogs, as one of his many stalling-for-time tactics. If I remember correctly, though, Rance does say “Once seen, a white golliwog is not easily forgotten.” Or words to that effect.
‘scuse me while I go teeter on the edge of fashion …
June 14, 2008 at 9:36 pm
“Prentice,” that is … although, Orton knows, “pretence” was one of his tactics.
June 14, 2008 at 10:55 pm
Lots of good punning in Orton — the innocuous-sounding Prick Up Your Ears becomes quite rude if you jumble the letters of the last word.