Episode 10 of our serial photoplay, THE TRAIL OF THE OCTOPUS, is entitled The Ape-Man, and unlike episode 9 it is NOT missing. But you may wish it was.
So, we’re in the palatial residence of the mysterious Wang Foo. Bumbling criminologist is about to get knifed between the shoulder blades by heroine Ruth Stanhope, who has been hypnotized and possessed by the soul of Zora the vamp. But the strange disembodied eyes intervene — somehow — and psychic control is broken off. Smartly, Carter first pretends he’s dead so he can biff a guard, then hides in the closet while Ruth pretends she’s still hypnotized and claims that Carter has escaped. (Similar to trick pulled in YOJIMBO. Maybe Kurosawa was a fan.) Wang Foo is not pleased ~
“So, in other words, you DO allow your slaves NOT to fail–WITH punishment–so that they WON’T remember to fail again?”
Wang gets his cat o’nine tails out, causing Carter to give himself away — but he’s trapped in the closet, not an ideal tactical position. It’s fair to say the situation becomes fraught. The bloodthirsty Wang Foo-ites riddle the closet with bullets. For about ten minutes. Get out of that!
Meanwhile, as they say in the comics, Ruth’s dad, long feared dead, is in the American hotel when a fist fight breaks out between two rival factions — the rug merchant’s Satanists, and Raoul Bernay, who was also feared dead, and who has recently been caught impersonating Monsieur X. All clear so far? There will be a quiz later.
Dead dad spots dead Raoul and realizes neither of them is really dead.
The fight is protracted, fairly violent, and largely hilarious, and nearly tears down the flimsy hotel set, which would leave everybody in a right pickle. You can’t enact a serial photoplay adventure on an empty sound stage amid a heap of matchwood. Adventure requires exciting backdrops. That’s basic, man.
Now Jan the Tunisian, the one who is obviously Monsieur X, turns up and plays a scene with Zora the vamp, just to let you know he’s still around. He also sports a nifty leather coat. He entrusts her with his stash of ceremonial daggers and asks her to meet him in Paris. So that’s exciting — we’re going to Paris.
By complete coincidence, the not-dead-Raoul, rattled by his scuffle with the Satanists, is also considering a trip to Europe.
Wang Foo orders Zora to go to Paris to rejoin and spy on the Satanists, which fits in nicely with her plans as she was heading that way anyhow. He tells her to meet him at No. 18, Rue Mort. I guess that would be in the 666th Arrondissement.
Monsieur X, who is definitely the Tunisian, tells Abboul the rug merchant that he’s been robbed of the daggers which we just saw him give Zora. He sends them to Paris too. All that’s needed is for some plot mechanism to send Carter and Ruth there too, once we establish how Carter’s survived certain death. Oh yes, and we need him to be faced with certain death again so the episode can end on a cliffhanger…
Ruth finally opens the bullet-ridden closet to find Carter GONE. A furious Wang threatens to throw her to his ape-man, Borno. And I suddenly realize that Borno is the little servant guy in the Tarzan costume. Not really an ape-man, then. More like a primeval jockey. Nevertheless, Ruth is again faced with a fate worse than death, though mercifully not worse than being chased around the room by a scruffy jockey. She pelts him with throw cushions, but still he advances, implacable yet minute.
Carter to the rescue — after running all around the building, he re-enters the room via the trap-door he’d used to escape (and which Wang Foo, the homeowner, apparently knew nothing about). Disabling the rampant dwarf by throttling them and then hurling him across the room, he tries to reach Ruth, who has barricaded herself in the next room. But, seeing the door bulge inward as he batters it, Ruth fears the ape-man is still coming for her, and prepares to plunge a dagger into her breast, probably hoping that will put him off the idea.