As a change from my usual past-time of making up compendium movie titles (you know, like, THE DEVIL IS A WOMAN IS A WOMAN, or DIAL V FOR VENDETTA or WHEN DIRTY HARRY MET CRAZY LARRY) which allow one to save time by imagining two or more films at once (there are TOO MANY MOVIES! Couldn’t we just mislay Brett Ratner’s entire oeuvre or something?), I’ve been working on a scheme to miniaturise John Carpenter’s career, converting his feature films into music promos for popular music artistes. This would allow his entire body of work to be watched in an afternoon, making film studies quicker and simpler.
Allow me to demonstrate.
ESCAPE FROM NEW YORK would become ESCAPE FROM NEW ORDER, replacing one electronic soundtrack with another, and playing the whole film just slightly faster to make it the same length as Blue Monday. The belated sequel (and I plan on writing something about that particular phenomenon, with ideas for how D.W. Griffith and Fred Niblo might revive their careers) could be called ESCAPE FROM E.L.O. Carpenter’s pointless remake of VILLAGE OF THE DAMNED could even retain its title, but with Captain Sensible and Rat Scabies digitally inserted in place of Christopher Reeve and Kirstie Alley. I’m not saying it’s an improvement but it is a refreshing change of direction.
ELVIS! can also keep the same title, but now it’s going to be about Elvis Costello. Sorry.
TV thriller SOMEONE’S WATCHING ME will now incorporate the song of the same name by Rockwell, who will be played by Adrienne Barbeau.
THEY LIVE! will now be a concert film, with the full title THEY MIGHT BE GIANTS: LIVE!
Here are some more:
JOHN CARPENTER’S THE GHOSTS OF THE NEPHILIM
PRINCE OF THE DARKNESS (two for one!)
ASSAULT ON HEAVEN 17
MEMOIRS OF A MANFRED MANN
IN THE MOUTH OF MADONNA
That last one could have just been called IN THE MOUTH OF MADNESS and been about Madness, but it made me laugh and in fact is the entire reason I wrote this post. If anyone has any more pop group/movie title mash-ups ideas, let’s have them.