Archive for Masters of Cinema

The Sunday Intertitle: Lulu, Interrupted

Posted in FILM with tags , , , on October 12, 2014 by dcairns

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In collaboration with Timo Langer (editor) and Fiona Watson (narrator), I have put together a video essay to accompany the Masters of Cinema Blu-ray of GW Pabst’s DIARY OF A LOST GIRL, starring Louise Brooks.

This would be a dream job if one could make a living at it, but small fees for fun work are, I think, better than fat ones for drudgery.

You buying the product from the nice evil people at Amazon via this link will bring in a few extra pennies: Diary of a Lost Girl [Masters of Cinema] Dual Format (Blu-ray & DVD)

In case you need a better reason:

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The Sunday Intertitle: Tomorrow Belongs to Me

Posted in FILM with tags , , , , , on September 28, 2014 by dcairns

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Got some complimentary copies of CALIGARI in the post from the good people at Masters of Cinema. I’ve contributed a video essay to this one, and David Kalat has recorded a commentary track. His MABUSE tracks are among the finest commentaries out there, and this is well up to standard. I was intrigued to discover that we were both offering alternative readings of the film which intersect at various points. While mine is along the lines of a crackpot theory, inspired a little  by MULHOLLAND DRIVE, Mr. Kalat simply dispels the clouds of intrigue and confusion whipped up by the Krakauer-Janowitz account of the film’s making and meaning. Interestingly, while that yarn has been largely discredited for some time, it has still had an influence on how people see the film.

As mentioned before, the restoration makes the movie look like new, and suddenly, being able to see the facial expressions clearly, you get a whole new kind of emotional involvement too.

I have one spare copy — maybe I’ll offer it as a prize in the next Shadowplay Impossible Film Quiz?

If you can’t wait: Das Cabinet Des Dr. Caligari (Masters of Cinema) (DUAL FORMAT Edition) [Blu-ray]

The Sunday Intertitle: Checkmate

Posted in FILM with tags , , , , , , on August 17, 2014 by dcairns

First, Blogneys! Here.

Second, Limericks about CAT PEOPLE! Here. Here. And KING KONG here and DRACULA here and THE MUMMY here and here. And THE WOLFMAN here and here and here. I think we’ve put the Universal horror cycle to bed now.

Now, an intertitle:

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From Ernst Lubitsch’s earliest surviving film as director, variously known as WHERE IS MY SWEETIE? and WHEN I WAS DEAD (1916). I’ve written an essay on this odd thing, which stars Lubitsch himself, looking not unlike Hugh “Woo Woo” Herbert, in suave leading man mode rather than his more usual rambunctious manner of this period, long before his famous “touch” became a byword for sophistication. I’ve written an essay on the movie which will appear on Masters of Cinema’s disc of MADAME DUBARRY — also, an essay on MADAME DUBARRY. I recommend the whole package, but then I would, wouldn’t I?

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I haven’t seen the new transfer but it will certainly look 1,000,000 times better than the above.

Buy it and find out for yourselves: MADAME DUBARRY [Masters of Cinema] (1919) [Blu-ray]

 

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