Archive for Dark at Noon

The Chymical Wedding

Posted in FILM with tags , , , , , , , , on December 4, 2008 by dcairns

copy-2-of-vlcsnap-194779

DARK AT NOON, AKA L’OEIL QUI MENT (THE EYE THAT LIES) is a bi-lingual Raoul Ruiz fable with John Hurt and David Warner keeping the British end up. Unfortunately, this was another sub-optimal Ruiz experience for me since my copy had no subtitles for the French bits. And I think the French bits may have contained a  number of clues, at the very least, as to why what was happening was happening.

copy-of-copy-of-vlcsnap-1916133

Nevertheless, it seemed that John Hurt, as the Marquis, wasn’t feeling too well, as his body had been invaded by a second John Hurt, a manufacturer of prosthetic limbs, and his young bride, who were attempting to create a child INSIDE the first John Hurt. The scenes of John Hurt possessed by a male consciousness down one side and a female down the other recall Steve Martin and Lily Tomlin in ALL OF ME. The mad science aspects suggest that a more profitable pairing might be with FRANKENSTEIN UNBOUND, another film where John Hurt violates the creator’s laws (and a film which might have been well suited to Ruiz, since it has Mary Shelley and her fictional characters inhabiting the same film-universe, quite a Ruizian trope. All this and time travel too). Anyway, the pregnancy has peculiar side-effects for the Marquis:

copy-2-of-vlcsnap-193554

copy-2-of-vlcsnap-194032

copy-of-copy-of-vlcsnap-193229

Nasty. Are you taking something for that?

(Given that the only Chilean filmmakers I know are Alejandro Jodorowsky and Raoul Ruiz, I really wonder what else they’re getting up to in that distant land…)

copy-of-copy-of-vlcsnap-191441

The credits appear over luridly coloured shots of eels, which look like a scrambled cable porn channel viewed in a  hotel room — fittingly enough, since the eels are what our hero (Didier Bourdon) sees when he looks at John Hurt’s sperm through a microscope. “There are three forces in the universe: elcectricty, gravity… and sexuality.”

Add in a plague of Virgins (apparitions of the Blessed Virgin Mary), rogue levitations and a boy whose unsanctioned miracles are wreaking havoc with the prosthetic limb industry, and we have a typically peculiar Ruiz brew. I liked the special effects, especially the luminous B.V.M.s and David Warner’s paintings, which exude fungoid conwebs that ensnare the unwary while subduing them with a powerful soporific perfume. Now if only I knew what the French characters were on about — it might help me understand what the English characters were on about.

copy-of-vlcsnap-192249

Or it might not. For a while there, each Ruiz film I saw made more sense to me than the last. I can’t really say that with this and TREASURE ISLAND, but neither was an ideal case, T. ISLAND having been forcibly hacked down from four hours, and this one being only half-English and unsubtitled. I shall choose the next one with care…

Follow

Get every new post delivered to your Inbox.

Join 435 other followers