YES, it is tatty British TV scifi (TBTVSF for short). Which is, in itself, admirable. But note the date! 1967 — BEFORE 2001: A SPACE ODYSSEY was in cinemas but undoubtedly WHILE Kubrick was working on it. And watch the space station-space shuttle link-up at the start! Highly reminiscent. What must Kubrick have felt when he saw this?
Well, we need not wonder, since I have here Kubes’ notes, dictated to personal secretary Isadore “Beeves” Krassovitz as he watched the show (Kubrick always had a short-hand typist on hand as he watched television, in case he made any remarkable observations during Crown Court), then recorded onto quarter-inch tape by voice artist Martin Jarvis, attempting a Bronx accent.
0.16 Shit. This is EXACTLY like our first space sequence. Only… so much better! We are dead. DEAD. How do we top this? The music — it’s goddamn magnificent! The majesty of interplanetary travel, and yet, so perky! I’m gonna really have to shuffle through my record collection. It’ll never be as good as this.
0.28 Even their title’s better than ours.
0.35 Special effects by “National Interest Pictures.” Make a note of that. We have to get a spy in there to find out how they’re doing this stuff. We have traveling mattes and Schuftan and slitscan but this is WAY ADVANCED. It’s almost like they have access to alien technology or something.
1.22 The heroes are called Power and Tempo. And what do we got? Dave and Frank. We are boned.
1.36 Note how the stars are twinkling in a realistic fashion even though we’re in space and there’s no atmosphere to make them twinkle. That’s the kind of detail 2001 has got to have.
1.55 Actors are too emotional. But wait — that guy poking an ice cube tray with a pen light is Derek Fowlds, future star of Yes, Minister! I’m gonna have to cast the future star of a rival sitcom to compete. Maybe I can get the guy from Rising Damp? Or the guy from The Fall and Rise of Reginald Perrin? Hell, I’ll get both. That’ll make it really futuristic.
2:06 I like how the TV monitor is in black and white. No way they could afford colo(u)r TV in space. Still, better look into it.
2:13 Their chairs are made of egg cartons. Nice.
2:48 Look at the size of that TV set! Is that realistic? Why don’t I have one that big?
2:56 Mini-skirts are never, ever, going to go out of style.
3:46 When the Discovery enters the “tunnels of light” it’s gonna have to look every bit as good as this dry ice fog effect they got here or we’re gonna be laughed off the screen.
3.50 Hey, the set’s bouncing up and down as if they were actually moving! How the hell are they doing that?
4.00 A masterstroke. Only now, four minutes in, do they tell us the name of the episode, “CLOUD OF DEATH.” Maybe I could use text on screen to introduce the various “chapters” of my film. Like at the beginning, it could say “DAWN OF THE PLANET OF THE APES” or something. But I know what’ll happen — they’ll say I stole it from Solarnauts.
4.25 Now they’re blowing shit up! How come I never thought of that? We got all these models, and we never thought of doing some kind of space dogfight and blowing them up. First thing tomorrow I’m gonna find Arthur C Clarke in that tree in Ceylon he lives in and smack his stupid face. Even if I have to fly there!
5.00 Those zigzag wipes are awesome. I would never be that bold. I go from a monkey tossing a femur to a nuclear missile station in space and what do I do? I cut! What a goddamn tragic missed opportunity. Still, I guess those wipes might get tiresome over the course of a movie that’s 141 minutes long as mine is destined to be.
5:24 Jesus, that bald guy’s head is coming right out of the TV. What an amazing way to visualize an alien intelligence — a guy with no hair! That’s it, I can’t compete. We’ll just have to keep our aliens offscreen. I was gonna use guys with no beards, but this show has me licked. I don’t think I can watch anymore (sob!)
I find Kubrick an irresistible comedy character. He did try to sue the makers of Space 1999 for infringing his title… “That date is only two years away from 2001!” One sees his point, but he does rather miss the crux of the matter, legalistically, that you can’t copyright a title.