THE OCTOBER MAN (1947) is written and produced by Eric Ambler and directed by Roy Ward Baker, the team who would make the best Titanic movie, A NIGHT TO REMEMkyER. It’s a modest little thriller with John Mills as a vulnerable chap released from psychiatric hospital after a breakdown brought on by a bus crash in which a child in his care was killed. (At times of stress he tugs knots in his handkerchief, recalling the rabbit he made from his hanky to entertain the kid in Scene 1.) He moves into a guest house full of rather unsympathetic people, and then there’s a murder and he becomes prime suspect.
The film takes an age to get underway and then wastes its most interesting personality, Joan Greenwood, in a colourless girlfriend role, but Mills gets to do his tormented bit, and others like Kay Walsh and Catherine Lacey are on hand. I very much enjoyed the dingy atmosphere, all studio-created, and the names — the hotel is run by Miss Selby, there’s a Mr. Pope and a Miss Heap. The previous occupant was Mr. Leaper, but he left for Australia so we don’t meet him. Best of all is Mr. Peachy.
It’s no spoiler to reveal that Peachy is the killer — not only do we realize this as soon as someone turns up throttled, we realize he’s going to be a murderer before anyone is dead. Maybe it’s his glasses. Disturbingly, as played by Edward Chapman he looks a bit like Eric Ambler himself. He’s psychotic, with a creepy sexual fixation on his eventual victim, but he’s also devilishly cunning. I kind of wish he’d been more sane because then it would have been nasty sane person versus nice mentally-fragile person.
Interestingly, it turns out that Peachy is not his real name, leading us to wonder what kind of man would CHOOSE to be called Mr. Peachy? A madman, I suppose.
I have been working on a script set in a boarding house in the forties with lots of silly names, which my collaborator and I enjoyed making up. I will tell you one: Eustace Crump, armchair bully. But poor Eustace was surplus to requirements so we deleted him after a few pages. Some other time, Eustace!