Archive for the FILM Category

The Sunday Intertitle: Paris Doesn’t Exist

Posted in Comics, FILM, Painting with tags , , , , , , , , , on November 23, 2014 by dcairns

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A frame from PARIS N’EXISTE PAS (1969), Robert Benayoun’s uber-cool art flick about bohemian modern art types, one of whom starts experiencing weird instances of objects moving around the room by themselves — I was reminded of David Bowie’s Berlin period hallucinations of furniture gone walkies, and also Maupassant’s short story What Is It? in which the narrator is plagued by the discovery that ALL furniture enjoys an active life the moment our backs are turned, just like the toys in TOY STORY.

The movie — which somewhat resembles Clouzot’s kinetic art melodrama LA PRISONNIERE from the same period, only without the s&m roleplay and with Serge Gainsbourg, puffing away at a cigarette holder in an invigorating embodiment of the concept of “louche” — could have been merely trendy, with its flash-cuts of cartoon panels to create a kind of cinematic Roy Lichtenstein feel, but I think it has more on the ball than that. Also, it’s fun spotting the cartoons of Hugo Pratt, Charles Schultz et al. I doubt copyright was paid.

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It’s a good film to be watching in my ultramodern flat in Paris, loaned to me by Francoise Ickowitz, grand-daughter of Bernard Natan. Francoise has, I think inherited some of her aunt’s taste — producer Monique Natan, Bernard’s niece, was responsible for producing Alain Jessua’s comic-book murder yarn JEU DE MASSACRE (1967) and Jean Rollin’s LE FRISSON DES VAMPIRES (1971), films of bold colour and pop sensibility.

When we interviewed Francoise for NATAN at her apartment — a sensational pop art shagging palace in a penthouse towering over Paris with Bond villain aplomb — we had to carefully frame out all the amazing decor, which was utterly fabulous in a CLOCKWORK ORANGE/Warhol kind of way, but sort of inappropriate as a backdrop for a sombre discussion of her grandfather’s life and death. But it would be worth inventing a whole new film to shoot there just for the interior design and art.

Red Eye

Posted in FILM with tags , on November 22, 2014 by dcairns

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Today I will mostly be hanging around airports, flying in the sky, and tracking down my accommodation in Paris. So this is just a reminder that the Late Movies Blogathon is nearly upon us, and an open invitation to interested parties to join the fun. I know it’s nicer to be specifically invited, but I hope lots of you will accept this more general invitation.

Image from (what else?) Michael Powell’s last fiction feature, THE BOY WHO TURNED YELLOW.

Night! Youth! Paris! And the moon!

Posted in FILM with tags , , , on November 21, 2014 by dcairns

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From tomorrow until Thursday I will be in Paris, France (pictured).

On Wednesday there will be a very special screening of NATAN at the French national film school, La Femis, which is housed in the Rue Francoeur film studios founded by Bernard Natan, but which has had no memorial to him — until now! In fact, so forgotten was the man who built the studio, that we were able to interview students at the school, none of whom knew who built it, and according to private information, even some of the staff were unaware of this part of its history.*

So there may be only light blogging this week — I had planned to prepare lots of stuff to post while away, but after a busy teaching week, I got nothing. And I will be racing to get stuff ready for the Late Show Late Movies Blogathon after that.

*Full disclosure: as a film lecturer, I knew only too well that only a tiny number of film students know any film history at all. You’re lucky if they know any history history. One student from a few years back began a presentation with “Since human civilisation began, two thousand years ago…”

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