The author, having painted two eggs for Easter, is able to properly register his surprise that LET US PREY, a film he and his wife co-wrote, has won the Silver Melies Award for Best European Horror Film at the Brussels International Fantasy Film Festival.
Archive for the FILM Category
Intertitle from ’70s teleplay The Disappearance of Aimee. I was excited to learn of the existence of a show where Faye Dunaway plays evangelist Aimee Semple McPherson, Bette Davis plays her old mum, and James Woods and Severn Darden fill out the cast. And that Anthony Harvey, implacable devotee of aging Hollywood divas, directed. And that it dealt with ASM’s mysterious 1926 disappearance.
Sadly, the piece is a stodgy courtroom drama, probably the dullest (but cheapest) approach to this story, and the mouthwatering cast spend all their time testifying in either a legal or religious sense. One is starved of scenes where actors actually converse, one to the other.
I was looking at the film as part of my latest SCHEME — a week dedicated to period movies from the 1970s New Hollywood. I’ve already had plenty of suggestions via Facebook, but I will readily accept MORE — I am probably excluding westerns, which are their own thing, and am more interested in stuff by the young directors of the period but would consider the likes of Elia Kazan’s THE LAST TYCOON as a possibility. Obviously I have a tendency to swing towards obscurities rather than celebrated jobs like CHINATOWN, but I make no rules up front…
“Father dies.” An intertitle from Elia Suleiman’s DIVINE INTERVENTION.
Remember, until tomorrow, when He resurrects, God is dead and we can all do what we like.
Meanwhile, over at The Chiseler, I look at Suleiman’s arresting film as part of a blogathon on the theme of Palestine, hosted both at The Chiseler and If Charlie Parker Were a Gunslinger…