Archive for the FILM Category

Iran All the Way

Posted in FILM with tags , , , , , on September 18, 2014 by dcairns

Still-Life

It’s Throwback Thursday as The Forgotten harkens back to June’s Edinburgh International Film Festival and its retrospective of movies from Iran before the revolution — that brief glimmering between the birth of cinema in that country and its descent into theocracy.

This comes, ironically, just as Chris Fujiwara announces that he’s leaving his position as director of the festival, after a stint in which he reinvigorated an event that was pretty much on the rocks. He will be missed — but he leaves us with an EIFF in great shape.

The Eye of the Duck

Posted in FILM with tags , , , , on September 17, 2014 by dcairns

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I’ve just written a feature script with Alex Livingston(e), a very talented guy, who pointed out to me that you can see the eye of a duck in David Lynch’s BLUE VELVET. (above)

And this was significant since Lynch has a whole theory about the eye of the duck, which he explains below.

The clip I really wanted to show was Mark Cousins’ Scene by Scene interview, where he brings up the duck-eye theory again and gets a typically detailed elucidation of it, and we learn that movies are like ducks and each movie has a scene which is equivalent to the eye of the duck. Mark asks Lynch what the eye of the duck scene is in his latest movie, THE STRAIGHT STORY. Micro-pause. “I haven’t thought about it.”

Brilliant comic timing, but unplanned. The difference between being a comedian and simply being comic, and aware of it. At a certain point, Lynch realized that he could be a comedy character. I don’t think I understood this slightly performative, yet sincere, aspect of Lynch in the first few times I saw him speak, but looking back on them, it was always there.

Of course his recent ice-bucket challenge displays this brazenly.

The Art of Melies

Posted in FILM, Painting with tags , on September 16, 2014 by dcairns

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Three costume sketches by Georges Melies from the book French Elegance in the Cinema, which looks at the influence of French fashion and costume designers in film.

It’s a bit of a grab-bag — a lengthy gallery at the back uses slightly random images from the Cinematheque Francaise’s vast collection of costume sketches, many of which don’t have any obvious French connection, but all of which are interesting. The text pays particular attention to Jean-Louis and to designers like Schiaparelli and Givenchy who had a major influence on movie design.

I like costume sketches and production design sketches. Movies throw out all these items, from scripts to publicity stills, which are art forms in themselves while contributing to the greater whole.

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I’m dissatisfied with this scan, though. Scanners don’t seem to be able to handle the way books fold in the middle. You’d think that since the book predated the scanner, it’d be the scanner that’d have to adapt. I want a very thin sheet that I can just slot int between the leaves of the book, or else a kind of dry liquid I can spread on the illustration and then peel off, capturing a digital image in the mercury-like fluid. I’m sure Melies would agree.

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Something tells me this gay imp was meant to be played by old Georges himself.
French Elegance in the Cinema

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