Festive Laziness

Christmas sloth — I don’t usually go in for lists, but this IS the season for such things, and every now and then one feels like relaxing one’s standards. Plus, this might serve a valuable purpose, particularly if you have illicit access to movies via the internet, or a large heap of unwatched movies you’re having trouble choosing from –
NON-SICKLY SEASONAL MOVIES
BRAZIL (Terry Gilliam)
THE APARTMENT (Billy Wilder)
CAROL FOR ANOTHER CHRISTMAS (Joseph L Mankiewicz)
PSYCHO (Alfred Hitchcock)
THE HOLLY AND THE IVY (George More O’Ferrall)
THE MIRACLE OF MORGAN’S CREEK (Preston Sturges)
WE’RE NO ANGELS (Michael Curtiz)
TALES FROM THE CRYPT (Freddie Francis)
CHRISTMAS HOLIDAY (Robert Siodmak)
THE PRESIDENT’S ANALYST (Theodore J. Flicker)
THE PHANTOM CARRIAGE (Victor Sjostrom)
THE PHANTOM CARRIAGE (Julien Duvivier)
THE MAN WHO CAME TO DINNER (William Keighley)

CHILD-FRIENDLY, BUT ADULTS MAY DIG ALSO
THE TWELFTH DAY (Wendy Toye)
A CHRISTMAS CAROL (Richard Williams)
THE INSECTS’ CHRISTMAS (Ladislas Starewicz)
THE NIGHT BEFORE CHRISTMAS (Ladislas Starewicz)
GREAT RUPERT (George Pal)
THE SNOWMAN (Diane Jackson, Jimmy T. Murakami)

GOOD SNOW SCENES
DERSU UZALA (Akira Kurosawa)
THE HEROES OF TELEMARK (Anthony Mann)
THE SAVAGE INNOCENTS (Nicholas Ray)
IN A LONELY PLACE (Nicholas Ray)
CHIMES AT MIDNIGHT (Orson Welles)
THE BALLAD OF NARAYAMA (Shohei Imamura)
THE FOX (Mark Rydell)
KWAIDAN (Masaki Kobayashi)
THE GREAT SILENCE (Sergio Corbucci)
DAY OF THE OUTLAW (Andre De Toth)

UNDER-APPRECIATED FEELGOOD CLASSICS AND WEEPIES
REMEMBER THE NIGHT (Mitchell Leisen)
L’ASSASSINAT DU PERE NOEL (Christian-Jacque)
SOMEONE TO REMEMBER (Robert Siodmak)
BEYOND TOMORROW (A. Edward Sutherland)
LYDIA (Julien Duvivier)
ONE MORE SPRING (Henry King)
This last section is of particular value, I think.
This entry was posted on December 24, 2012 at 5:26 pm and is filed under FILM with tags Christmas movies, lists. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
December 24, 2012 at 5:32 pm
Don’r Forget –
December 24, 2012 at 5:38 pm
Well spotted! No Christmas is complete without marauding Chinese-American housepets!
December 24, 2012 at 6:13 pm
Lavish trees + impoverished hearts: ALL THAT HEAVEN ALLOWS (Sirk), DOUCE (Autant-Lara and scenarist Aurenche)
Pre-Code snowglobes: 24 HOURS (Gering) and NIGHT WORLD (Henley)
December 24, 2012 at 6:34 pm
Splendid, thank you, I shall investigate those I don’t know. I have already watched my festive favourite, The Dead, and am currently enjoying sickly but brilliant Scrooge (1951) on Channel 5 with the tv’s colour turned down.
Apologies, my Late Films entry (Donat’s Magic Box) has struggled to 2 paragraphs and no more, displaced by urgent work. I shall return to it in January. A very late Late Film entry …
December 24, 2012 at 7:57 pm
“L’ASSASSINAT DU PERE NOEL (Christian-Jacque)”
Yes! I would like to second this one.
Christian-Jaque was partly responsible for Jacques Demy’s film career… and Demy’s Donkey Skin has a good snow scene (and makes for generally nice holiday viewing since it’s a fable with happy ending): http://deeperintomovies.net/journal/image09/donkeyskin1.jpg
December 24, 2012 at 8:11 pm
Good suggestions! I’ve been meaning to watch Douce…
December 25, 2012 at 6:04 am
Don’t forget Leo McCarey’s GOOD SAM and Stanley Kubrick’s EYES WIDE SHUT as well.
And, what the heck, It’s A Wonderful Life! too.
December 25, 2012 at 10:05 am
And the Christmas scene that always strikes me as the most authentic, maybe because I was a kid in the 70s: Ken Russell’s Tommy.
December 25, 2012 at 6:55 pm
A nod to the lovely and haunting CURSE OF THE CAT PEOPLE, and equally moving THEY DRIVE BY NIGHT.
December 25, 2012 at 7:19 pm
And because we all know what movie everyone’s going to see today –
Victor Sings Again!
December 26, 2012 at 12:02 pm
Thanks! Despite my admiration for all things Hathaway, I have little urge to see this.
I hear good things about Pathe’s silent version, the longest of them all at seven hours, I think. The Raymond Bernard version with Harry Baur apparently borrows a certain amount from it, including the spooky Snow White forest where Valjean meets little Cosette…