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	<title>Comments on: But I&#8217;m telling you the plot.</title>
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	<description>david cairns</description>
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		<title>By: dcairns</title>
		<link>http://dcairns.wordpress.com/2012/05/05/but-im-telling-you-the-plot/#comment-46570</link>
		<dc:creator><![CDATA[dcairns]]></dc:creator>
		<pubDate>Sun, 06 May 2012 13:07:34 +0000</pubDate>
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		<description><![CDATA[I&#039;m undecided as to whether to try to see the other Satyricon... ironically, I seem to recall that it was the makers of that version who were done for indecency.

I wonder if the tapes Fellini made of his own acid trip have survived anywhere...]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m undecided as to whether to try to see the other Satyricon&#8230; ironically, I seem to recall that it was the makers of that version who were done for indecency.</p>
<p>I wonder if the tapes Fellini made of his own acid trip have survived anywhere&#8230;</p>
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		<title>By: David Ehrenstein</title>
		<link>http://dcairns.wordpress.com/2012/05/05/but-im-telling-you-the-plot/#comment-46569</link>
		<dc:creator><![CDATA[David Ehrenstein]]></dc:creator>
		<pubDate>Sun, 06 May 2012 12:59:05 +0000</pubDate>
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		<description><![CDATA[Fellini was the cinema&#039;s most sophisticatred &quot;unsophisticared country boy.&quot; Do not forget that he planned a sequel to &lt;i&gt;I Vittelloni&lt;/i&gt; called &lt;i&gt;Moraldo in the City&lt;/i&gt;. This eventually morphed inot &lt;i&gt;La Dolce Vita&lt;/i&gt; with Marcello replacing Moraldo. Fellini had come to know the city quite well, and for his purposes a naif like Moraldo wouldn&#039;t have served as a protagonist. He&#039;d be in a perpetual state of &quot;shock.&quot; Marcello&#039;s world-weariness became Fellini&#039;s primary mode. There are several lesbians (including veteran Jerry Robbins dancer Sondra Lee) and a couple silly queens in the last sequence of &lt;i&gt;La Dolce Vita&lt;/i&gt; as befits the overall &quot;last call at the Via Veneto&quot; atmosphere. But by that time he had met and collaborated with Pasolini on &lt;i&gt;Nights of Cabriira&lt;/i&gt; -- the most sophisticated gay Italian of that era (and most others). &lt;i&gt;Fellini Satyricon&lt;/i&gt; sprang from his interest in the hippie movement. He first thought of Terence Stamp and Pierre  Clementi for the leads. Then he saw &quot;Hair&quot; and snapped up Hiram Keller. The resultant film is in many ways an Acid Trip. And the presence of Donayele Luna in the cast makes it a perfect doubte feature with &lt;i&gt;Skidoo&lt;/i&gt; (aka. &lt;i&gt;Preminger Satyricon&lt;/i&gt;)

Thanks for mentioning that other version of Satyricon made at the same time as Fellinii&#039;s. Apparently it was a flop in every concievable way. Giton as a girl? Oh Prunella!]]></description>
		<content:encoded><![CDATA[<p>Fellini was the cinema&#8217;s most sophisticatred &#8220;unsophisticared country boy.&#8221; Do not forget that he planned a sequel to <i>I Vittelloni</i> called <i>Moraldo in the City</i>. This eventually morphed inot <i>La Dolce Vita</i> with Marcello replacing Moraldo. Fellini had come to know the city quite well, and for his purposes a naif like Moraldo wouldn&#8217;t have served as a protagonist. He&#8217;d be in a perpetual state of &#8220;shock.&#8221; Marcello&#8217;s world-weariness became Fellini&#8217;s primary mode. There are several lesbians (including veteran Jerry Robbins dancer Sondra Lee) and a couple silly queens in the last sequence of <i>La Dolce Vita</i> as befits the overall &#8220;last call at the Via Veneto&#8221; atmosphere. But by that time he had met and collaborated with Pasolini on <i>Nights of Cabriira</i> &#8212; the most sophisticated gay Italian of that era (and most others). <i>Fellini Satyricon</i> sprang from his interest in the hippie movement. He first thought of Terence Stamp and Pierre  Clementi for the leads. Then he saw &#8220;Hair&#8221; and snapped up Hiram Keller. The resultant film is in many ways an Acid Trip. And the presence of Donayele Luna in the cast makes it a perfect doubte feature with <i>Skidoo</i> (aka. <i>Preminger Satyricon</i>)</p>
<p>Thanks for mentioning that other version of Satyricon made at the same time as Fellinii&#8217;s. Apparently it was a flop in every concievable way. Giton as a girl? Oh Prunella!</p>
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		<title>By: dcairns</title>
		<link>http://dcairns.wordpress.com/2012/05/05/but-im-telling-you-the-plot/#comment-46566</link>
		<dc:creator><![CDATA[dcairns]]></dc:creator>
		<pubDate>Sun, 06 May 2012 11:28:30 +0000</pubDate>
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		<description><![CDATA[Still, for an avowedly hetero filmmaker, Fellini did extremely well in embracing the work&#039;s pansexuality, especially considering the age he was working in. I would say &quot;and the country,&quot; yet Italy throws up so many interesting takes on sexuality that it seems as if Catholicism has had an effect rather opposite to that intended.

I&#039;m guessing FF found the book&#039;s fragmentary nature inspiring, especially as his films had been moving away from traditional narrative for some time.]]></description>
		<content:encoded><![CDATA[<p>Still, for an avowedly hetero filmmaker, Fellini did extremely well in embracing the work&#8217;s pansexuality, especially considering the age he was working in. I would say &#8220;and the country,&#8221; yet Italy throws up so many interesting takes on sexuality that it seems as if Catholicism has had an effect rather opposite to that intended.</p>
<p>I&#8217;m guessing FF found the book&#8217;s fragmentary nature inspiring, especially as his films had been moving away from traditional narrative for some time.</p>
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