Let’s all look at PHANTOM OF THE OPERA again for evidence of Godard’s authorship.
“Film is truth at twenty frames per second. Less if you undercrank.”
Thanks to Mark Medin for the image.
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This entry was posted on April 19, 2011 at 8:58 am and is filed under FILM with tags Jean-Luc Godard, The Phantom of the Opera. You can follow any responses to this entry through the RSS 2.0 feed
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April 19, 2011 at 1:30 pm
“Yes operas should have a beginning, middle and an end but not necessarily in that order.”
April 19, 2011 at 1:31 pm
i just watched contempt yesterday . nice picture
April 19, 2011 at 2:46 pm
Maybe he was quite literelly – Playing
April 19, 2011 at 3:33 pm
Bientot sur cet ecran.
April 19, 2011 at 4:27 pm
The Godard-Chaney artistic collaboration also included such neglected gems as:
Mr Wu, Le Chinois
Contempt 2: Mockery
Tell it to the Carabiniers
Pierrot Gets Slapped
and the sequel, Laugh Pierrot Laugh
April 19, 2011 at 4:35 pm
Not to mention
Paris After Midnight
Two or Three Unholy Thing I Know About Him
and
West of St.-Germaine-des-pres
April 19, 2011 at 6:51 pm
The Hunchback of Notre Musique
Where East is East, a Woman is a Woman
Alphaville After Midnight
The Phantom of the Aria
April 19, 2011 at 11:19 pm
It’s Mash-Up Tuesday at Shadowplay!
April 20, 2011 at 10:08 am
I do like film combos. For some reason, Raoul Walsh’s films fold in very nicely with each other, eg They Drive with their Boots On.