Euphoria #32: small boys

Edinburgh Filmhouse habitué David Watson (ever notice how everybody is called David?) nominates this little slice of grin-making cinema from the bottom of his heart:

It’s from Billy Forsyth’s classic GREGORY’S GIRL, and may be the most perfect example of a Little Moment to Induce Happiness that we’ve yet had. Tiny and jewel-like in it’s simple beauty, it has brought pleasure to literally plomzillions of people.

More like this, please! (And more Scottish films like this, too.)

The actor playing the ivory-tinkling headmaster is Chic Murray, a music-hall comedian of long standing. (Sample material: ”I had a tragic childhood. My parents never understood me. They were Japanese.”) My late friend Lawrie once ran an organsiation called Films of Scotland, the first official body for the promotion of Scottish cinema, and the worst job he ever had. At once point he was brought a proposal for a short comedy starring Mr. Murray.

‘”He’s the Coming Man,” they told me. I said, “Chic Murray has been the Coming Man since I was in short trousers.”‘

Despite his great popularity in Scotland (and we’re a tough crowd: after a hostile reception at the Glasgow Empire in 1918, comedian Mark Sheridan walked to Kelvin Grove Park and shot himself), Murray remained largely an unknown quantity elsewhere until the end, save for THIS MOMENT — proof that immortality can strike randomly, when we least expect it, like a moonlit rapist. All we can do is keep busy and await the moment.

Will I be saying more about this film? Yes, starting TOMORROW.

GG 

“It’s a small world, but I wouldn’t want to have to paint it.” ~ Chic Murray.

18 Responses to “Euphoria #32: small boys”

  1. I love Gregory’s Girl but That Sinking Feeling is fabulous as well – I’d love to see it again in a cinema. I wish the filmhouse would devote jan / feb to comedies we need cheering up here!

  2. That’s a very good idea — it might suit the Cameo’s weekend slots better though. In the tradition of Jom Poole showmanship.
    Speaking of Scottish comedy, I just got ahold of Geordie, which I shall blog about as soon as I’ve reviewed it.
    Mary, would you like to nomonate some Euphoric Cinema? A scene from That Sinking Feeling might be nice…or I Know Where I’m Going

  3. does it have to be a particular scene? I love love love that moment in Forsyth’s Housekeeping when the mad aunt and neice run away from housekeeping over the bridge. I also love the bonkers dream scene from I know where i’m going when the train seems to travel amongst tartan coverd breasts – or am i just making that up? And just genrally in that film having a female character who is frankly unlikeable and not scared to be unlikeable…

  4. and of course have just read your explanation of an euphoric moment… bugger I’m trying to do my tax hence brain not working v well.

    Can I nominate Lawrie running down the stairs or is that too obscure?

  5. Nice thought, but A Matter of Life and Death is taken (but you’ll have to wait until tomorrow for that one). I like the idea of the train journey. I don’t know if they’re breasts, I think they’re tartan hills, although they do have a Lollobrigidian quality to them.

    Alas, I don’t have a copy of Housekeeping at present.

    But I’ll gladly go with IKWIG.

    I sympathise re the brain thing, tax returns and euphoria do not go together.

  6. i must see if I can get Housekeeping though I do have a very strong notion that one ought only to see films in cinemas… I NEED my own cinema and tame projectionist…. also can’t work my DVD player… and the lodger has no vested interest in getting it to work as he is interested in Heidigger not cinematic art.

    I do seem to remember that they looked awfuly like pnuematc (sp) breasts but happy to have your judgement on the breastiness of the hills…

  7. One ought to see movies anywhere and everywhere. Project them on housepets if necessary. But one can only REALLY see them at the cinema.

    Happy to have a look at the DVD sometime if it’ll help.

    Powell would be quite capable of creating breastian hills if he felt like it, I just can’t think what he would be hoping to gain by doing so in this case. But I’ll put the clip up in a day or two and we’ll put it to the vote!

  8. I chatted with Christine Lahti about Housekeeping at the L.A. Film Critics Awards dinner. She was there to present our Career Achievement Award to Sidney Lumet. She was delighted to talk about the film, and needless to say is upset that so few people saw it. The last shot is especially haunting.

  9. I want to try and say some more about Bill Forsyth soon. Housekeeping is so beautiful it suggests a whole lot more to him than his early films, charming as they are. And then it all seems to have gone progressively wronger. Most accounts paint him as a rather dark, brooding individual, and in a way it’s commendable that he wasn’t content with the apparent ease his early success, and wants to be Bressonian and challenging. But he’s lost his original audience and hasn’t found a new one and I worry about where he’s going to go next, if anywhere.

  10. This clip made me smile for a whole day. I played it again and again. My friend Gideon tells me that there’s also a penguin in the movie? Who keeps going to the wrong classes?

    By the way: a while back I mentioned Don Knotts and you said that you folks didn’t really get much Don Knotts over there. Well, you’re in luck; I’ve just found one of his very best moments on YouTube: .

    It’s a scene from The Andy Griffith Show, and the great part starts about 1:40 on the video: the jail has been overrun by a bunch of stray dogs, and while Andy and his nephew, Opie, are out at lunch, Deputy Barney Fife (Knotts) has figured out what to do with them. His monologue, once Opie gets upset about his solution, is sheer genius. I hope you enjoy it!

  11. Thanks for the Andy Griffith hint. Comrade K has been advising me to check that show out for some time. Do you have the link or is it easy to find?

    The penguin in Gregory’s Girl is a great running gag. If you can find the film, I highly recommend it.

    Bill Forsyth may actually be the inventor of the phrase “no-budget” — he used it to describe his first feature, That Sinking Feeling, about a plumbing heist. His finances and career were apparently in a total mess so he embarked on a feature film without funds on the basis that thinks couldn’t get any worse.

  12. That’s weird. I pasted the link in, but it didn’t show up. Let’s try again:

  13. That’s weird. I pasted the link in, but it didn’t show up. Let’s try again:

  14. Nope. It just doesn’t want to let me put in a link. Anyway, if you search on Don Knotts giraffes, you’ll find it. I hope you enjoy it as much as I do.

  15. Found it! (Odd about the link thing).

    That was wild. Beautiful slow pace to it. And quite cinematic, nicely framed. They really let him have the time to make the most of that speech though, beautiful. And there’s something about an actor like him being punctuated by thunder and lightning — gloriously inapposite.

    “Giraffes are selfish,” is the moment it spins into genius,

  16. What I love about the “giraffes are selfish” line is that that’s the moment when he’s no longer trying to convince Opie–or even himself. No, by that point, he’s totally absorbed all the silly points he had just moments ago made up on the spot, and he’s following them as if they really are a logical train of thought. He’s actually upset at giraffes as a species!

  17. Yeah, his train of thought gets carried along by its own inertia, and in trying to argue that dogs are different from giraffes re: lightning hazard, he then finds it necessary to also contrast them with that other quality he’s assigned to dogs, communal spirit. And then, having forced himself to arbitrarily assign a personality trait to giraffes, he can’t help but be totally convinced of it, and it makes him mad!
    Really nice mix of logic and craziness there.

  18. I see The Times are giving away a free copy of GG on Saturday: http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article3312819.ece

    And the Glasgow Film Festival have a silver anniversary screening, with guests from the film on February 24th.

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