The Colour Of Mana
Stills from THE FINAL PROGRAMME, an amazing pop-sci-fi sextravaganza scripted, directed and designed by the enormous Robert Fuest. Here we see dashing, pill-popping Nobel-Prize-winning physicist Jerry Cornelius (bottom) played by Jon Finch (who deserves rediscovery for being sexy and brilliant here) in search of mad scientists Graham Crowden (also to be seen maddening up Lindsay Anderson’s Mick Travis trilogy), Basil Henson and George Coulouris (the only member of the cast in CITIZEN KANE who aged something like his character. More on Prophetic Cinema, and the noble Mr. Crowden, soon).
For a while Fuest was a bright-yet-unrecognised light of British Cinema, but he had the bad luck to come along during the collapse in American funding at the start of the seventies. Initially encouraged, then royally shafted, by what Michael Reeves called “those ponces at A.I.P.”, Fuest combined eye-popping visual flair, a traditionally English love for the eccentric and unruly, and a gleeful sadism. In other words, he was a Michael Powell for the rock ‘n’ roll era.
While Michael Reeves was destroyed by depression, recreational drugs, and psychiatry, Fuest was trashed by the film business itself: THE DEVIL’S RAIN was ludicrously recut by the A.I.P. and the industry in the U.K. imploded, leaving Fuest to mostly stifle in TV work, with only one other feature credit in 1982, an intriguing-sounding softcore drama, APHRODITE.
But before that happened, we get not only the above movie, on which more later, but also the two DR PHIBES comedy-horrors with Vincent Price (a third, PHIBES TRIUMPHANT, was stymied by Fuest’s inability to come up with any more elaborately nasty murders), a sombre, skilled and stylish WUTHERING HEIGHTS, and this location-set, brightly daylit psycho-thriller, AND SOON THE DARKNESS (an odd debut for a former production designer since it requires no sets!):
I like the whispery female VO that comes in partway thru, as if someone’s been watching Godard…